Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Tierra hermana is a Tango written by Eugenio Cárdenas and composed by Guillermo Barbieri.
“Tierra hermana,” translated to “Sister Land” in English, eloquently conveys a profound sense of fraternity and admiration towards Uruguay, highlighting its heroic history, beautiful landscapes, and the robust spirit of its people. Eugenio Cárdenas crafts a narrative that not only respects the historical significance of Uruguay but also cements a shared cultural and patriotic bond with Argentina.
The song is rich in symbols; for instance, “los cóndores andinos” symbolize freedom and the soaring spirit of the Andean condor, reflecting the high aspirations and pride of Uruguay. The mention of “Treinta y Tres” commemorates the 33 Orientales, a pivotal group in Uruguay’s independence, symbolizing bravery and nationalism. Locations such as “Florida” and “Mercedes” are not just geographical cues but are evoked as testaments to the freedom and loyalty deeply rooted in Uruguay’s spirit.
Recorded in 1928, “Tierra hermana” emerges at a time when cultural expressions were a means of connecting national identities. This piece serves as a bridge between Argentina and Uruguay, emphasizing unity and shared heritage amid the broader tapestry of Latin American geopolitics. The references to specific battles and locations weave a narrative that is both personal and patriotic, aiming to resonate with listeners familiar with the historical contours of South American independence movements.
Eugenio Cárdenas was a prolific figure in the Tango scene, known for his evocative lyrics that often delved deep into themes of nationalism and cultural pride.