Fabrice Knecht Tango DJ
Style
Orchestra
Singer
Author
Composer
Date
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Tiempos viejos (Te acordas hermano) is a Tango written by Manuel Romero and composed by Francisco Canaro.
“Tiempos viejos (Te acordas hermano),” which translates to “Old Times (Do You Remember, Brother),” is a nostalgic reflection on the past. The primary themes revolve around sentimental recall of younger days, the changes over time, and a sense of loss for an era perceived as better or purer. The narrator directly addresses a sibling, invoking shared memories of those days, signaling not just a private reflection but a communal reminiscence. It highlights the shift in societal values and the personal impact of witnessing these changes.
The lyrics are rich with symbolism and evocative language that underscores a yearning for the past. Key phrases like “Eran otros hombres, más hombres los nuestros” suggest a nostalgic idealization of the masculinity and authenticity of the past, contrasting it with the present. The mention of “cocó, ni morfina” and “gomina” symbolizes the perceived moral decay, as these substances might represent modern vices and artificialities, respectively. Furthermore, figures like “la rubia Mireya,” who transitioned from a dazzling beauty to a “mendiga harapienta” symbolize the decay and loss, not only of beauty but possibly of grace and virtue.
The Tango was recorded on May 20, 1953 in Argentina, a time and place deeply embedded in the fabric of tango culture. This post-war period was marked by significant political and social transitions, influencing the arts profoundly. The nostalgic and somewhat melancholic tone might reflect the societal sentiments regarding the widespread changes and uncertainties of the era. Names like Laura (potentially referencing popular dance venues), Mireya, and Cepeda, alongside scenarios of neighborhood dances and love rivalries, place the tango in very relatable social scenarios, emphasizing the cultural practice of communal reminiscence.
Manuel Romero was a notable Argentine screenplay writer, known for capturing the social and emotional landscapes of his time through film and lyrics.