Tengo by Eugenio Majul

Tengo is a Tango written by Eugenio Majul and composed by Roberto Pérez Prechi.

Story behind the Tango Tengo

At its core, “Tengo” revolves around the themes of longing, loss, and haunting memories. The narrator expresses a deep, unresolved anguish stemming from unreciprocated love. The repetition of the word “tengo” (I have) contrasts poignantly with what he lacks—his beloved’s love. This juxtaposition emphasizes a sense of possession versus emotional emptiness. Lines such as “tengo tu adiós apretado en la piel mas aún” (I have your goodbye still clung to my skin) and “tengo el beso encendido anterior” (I have the previous fiery kiss) reflect the physical and emotional imprints left behind, suggesting memories that linger vividly, even if the love itself has faded.

Symbolism of Tengo

The language and symbols in “Tengo” intensify the emotional weight of the lyrics. The fiery kiss and the initial perfume are metaphorical, symbolizing moments and essences that are unforgettable yet painful. “En un fuego infernal” (in an infernal fire) could symbolize the torment and continual burning of past love, which continuously consumes the narrator. These symbols effectively depict the struggle between moving forward and being anchored to the past.

Tengo in historic Context

Recorded in 1963, a period rich in Argentine cultural expression but also marked by political and social upheaval, “Tengo” resonates with themes of personal and collective memory. The historical context may mirror the personal sorrow in the song, suggesting not only personal loss but also a nostalgic yearning for a past era or the changing social fabric of Argentina. The existential reflection in the lyrics captures both personal grief and a wider cultural melancholy, common in Argentine tango.

Eugenio Majul

Eugenio Majul was an influential lyricist in the Argentine tango scene, known for his poignant and evocative lyrics that resonate deeply within the cultural context of his time.