Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Telón is a Tango written by Homero Manzi and composed by Lucio Demare.
The lyrics of “Telón” portray a theatrical metaphor of a romantic relationship gone awry. The term “Telón” translates to “curtain” in English, suggesting both an end and a revealing of reality behind a facade. The narrative follows the emotional journey of an individual who falls into a disillusionment from a once passionate love, where initially their loneliness was just a role, a part of a fictional script.
The curtain in the song symbolizes the end of a performance and, by extension, the end of a pretense or a relationship. The entire relationship is depicted as a play, with references to roles and acting, amplifying the pain when reality cuts through the illusion. Phrases like “Era una ficción, tu soledad,” and “Tu desamor” accentuate the theme of disillusionment and betrayed feelings. The line “Final, atroz de ver la soledad” emphasizes the harsh and lonely end to what was once filled with hope, mirroring the despair often found in theatrical tragedies.
The tango was recorded in 1938, a period rich with political and social upheavals in Argentina. During this time, Tango often served as a reflective medium for the population’s sentiments, capturing elements of disillusionment, nostalgia, and emotional intensity. The metaphorical use of theater in “Telón” could subtly critique the performative aspects of social and political interactions of the era, where public facades often hid personal or collective sufferings.
Homero Manzi was a prominent Argentine lyricist and an influential figure in the world of Tango, known for his deep, evocative lyrics that often explored themes of love, loss, and nostalgia.