Fabrice Knecht Tango DJ

TBC

TBC is a Tango written by Ascanio Donato and recorded by Florindo Sassone in 1952. The Tango TBC is written by Ascanio Donato, Florindo Sassone has recorded TBC with the singer Roberto Chanel.
The piece titled “TBC” in Spanish translates to “Por Confirmar” which means “To Be Confirmed” in English. It captures the essence of anticipation and mystery, evoking a sense of something yet to unfold. As the melody weaves through uncertainty, it mirrors the dance of possibilities, inviting listeners to embrace the beauty of the unknown.

Tango

Style

Florindo Sassone

Orchestra

Roberto Chanel

Singer

Víctor Soliño

Author

Ascanio Donato

Composer

1952/12/5

Date

Roberto Chanel
Roberto Chanel
Florindo Sassone
Florindo Sassone

Discover Other Orchestras

Francisco Rotundo – Mal de amores – 1956/5/22
Francisco Rotundo – Por seguidora y por fiel – 1952/5/19
Francisco Rotundo – Mala suerte – 1954/7/8
Francisco Rotundo – Serenata de candombes – 1948/12/14
Francisco Rotundo – Yo soy aquel muchacho – 1955/6/9
Alfredo De Angelis – Cascabelito – 1985/1/1
Alfredo De Angelis – Telarañas – 1951/5/29
Alfredo De Angelis – Carga – 1949/12/6
Alfredo De Angelis – Bailarín compadrito – 1953/6/11
Alfredo De Angelis – La morocha – 1981/1/1
Cuarteto Aníbal TROILO – La última curda – 1969/7/30
Cuarteto Aníbal TROILO – La cumparsita – 1968/9/11
Cuarteto Aníbal TROILO – A Pedro Maffia – 1968/9/11
Cuarteto Aníbal TROILO – Del barrio de las latas – 1968/8/5
Cuarteto Aníbal TROILO – Toda mi vida – 1968/8/5
Nuevo Quinteto Real (Horacio Salgán) – Desvelo (De flor en flor) – 1987/1/1
Nuevo Quinteto Real (Horacio Salgán) – La puñalada – 1987/1/1
Nuevo Quinteto Real (Horacio Salgán) – Vida mía – 1987/1/1
Nuevo Quinteto Real (Horacio Salgán) – 9 de Julio – 1987/1/1
Nuevo Quinteto Real (Horacio Salgán) – Homenaje a Pedro Laurenz – 1987/1/1

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

TBC recorded by other Orchestras

TBC recorded by other Orchestras

1952/12/5 – Mi marianela – Florindo Sassone
1952/12/3 – Barro – Osvaldo Pugliese
1952/12/3 – La noche que me esperes – Osvaldo Pugliese
1952/12/10 – La cancion inolvidable – Francini-Pontier
1952/12/10 – Manos adoradas – Francini-Pontier
TBC – 1928/11/26 – Carlos di Sarli – Instrumental
TBC – 1953/8/11 – Edgardo Donato – Roberto Morel
Raul Angelo
TBC – 1961/11/1 – Edgardo Donato – Andres Galarce
TBC – 1960/10/19 – Alfredo De Angelis – Lalo Martel
TBC – 1952/12/5 – Florindo Sassone – Roberto Chanel

Lyrics Translation of the Tango TBC

This is the translation of the Tango “TBC” from Spanish to English. The English lyrics of the Tango “TBC” have been done with AI.

Letra del Tango TBC

Te besé

y te cabriaste

de tal manera

que te pusiste

hecha una fiera.

Y hasta quisiste,

sin más motivo,

darme el olivo

por ser audaz.



Total

no es para tanto,

no ves

que estaba ‘colo’.

Pensá

que fue uno sólo

y al fin

te va a gustar.

No digas que no,

que cuando sepas

besar,

dando la vida

serás

tu quien me pida

y sé

qué me dirás.



Bésame,

que no me enojo,

bésame,

como en el cine.

Un beso de pasión,

que al no poder respirar,

me detenga el corazón.

Bésame,

Negro querido,

el alma

dame en un beso

que me haga estremecer

la sensación

de ese placer.

English lyrics of the Tango "TBC"

I kissed you

and you recoiled

in such a way

that you became

utterly wild.

And even without reason,

you wanted

to leave me

for being bold.

At the end of the day,

it’s not a big deal,

don’t you see

that I was infatuated.

Think about it,

it was just one kiss

and ultimately,

you’ll like it.

Don’t say no,

because once you learn

to kiss,

giving it your all,

you will be

the one to ask me,

and I know

what you’ll say.

Kiss me,

I won’t get mad,

kiss me,

like in the movies.

A kiss of passion,

that stops my breath,

and makes my heart pause.

Kiss me,

my dear love,

give me your soul

in one kiss

that makes me shiver

with the sensation

of that pleasure.

TBC by Víctor Soliño

TBC is a Tango written by Víctor Soliño and composed by Ascanio Donato.



Story behind the Tango TBC

The lyrics of “TBC” depict an intimate and slightly contentious scenario between two lovers after a passionate kiss. The narrator kissed their partner, who reacted strongly and defensively. This response sets the stage for a discussion about the nature of their kiss and the emotions it stirred, illustrating a dynamic where daring meets resistance. The lyrics express a negotiation of affection, highlighting the hesitation and eventual acceptance of intimate expressions in a relationship.



Symbolism of TBC

The kiss in “TBC” serves as a pivotal symbol of passion and conflict. It ignites a confrontation that symbolizes deeper emotional barriers and vulnerabilities between the lovers. The use of colloquial language and the expression “darme el olivo,” meaning to break up, enhances the theme of conflict and reconciliation. “Negro querido” serves as a term of endearment, highlighting cherished intimacy despite the initial conflict. This push-and-pull represents the complex dance of a relationship, where each moment of intimacy carries weight and consequence.



TBC in historic Context

“TBC” was created in Argentina in 1952, a period rich in cultural transformation, where tango music played a crucial role in expressing the emotional and social narratives of its time. During this post-war era, themes of love, longing, and personal dramas were especially poignant, embodying the collective emotional state of the society. The lyrics may resonate with the audience’s own experiences of love and conflict, showcasing tango’s power to articulate the passionate and tumultuous human emotions tied to the period’s social dynamics.



Víctor Soliño

Víctor Soliño was a notable figure in the tango genre, recognized for his contributions that enriched the cultural tapestry of Argentina.