Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Tapera is a Tango written by Homero Manzi and composed by Hugo Gutiérrez.
The Tango “Tapera” captures the melancholy and sense of abandonment associated with a dilapidated, desolate farmhouse (rancho). It reflects a narrative of loss and solitude, detailing the abandonment of a place once filled with life and warmth. The protagonist of the song reminisces about the vibrant life that once was, marked by the ringing of joyous laughter and the bustling nature around, which has all succumbed to silence and neglect.
The word “Tapera” itself, translating to “ruin” or “abandoned place” in English, epitomizes the overarching theme of decay and abandonment. This is symbolized by the deserted ranch, the unkindled hearth, and the absence of life’s vibrancy, as indicated by phrases like “otra cocina sin brasas” (another kitchen without embers) and “sin gente ni Dios” (without people or God). These elements signify the loss of home and heart, reflecting deeper emotional and existential voids. The transformation of the landscape with “los abrojos a morder en mis rastrojos” (the thistles biting into my stubble) symbolizes how hardships and neglect mar physical and mental scapes.
Written in 1947, shortly after World War II, “Tapera” may mirror the pervasive feelings of loss and displacement of the time. Argentina, though geographically distant from the direct impacts of the War, was not immune to its economic and psychological repercussions. This tango, by reflecting on a personal and localized instance of abandonment, may resonate with a broader theme of universal devastation and the struggle to find purpose in the aftermath of loss.
Homero Manzi was a prominent Argentine lyricist and filmmaker, well-known for his poignant contributions to the Tango genre.