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Tapado gris

Tapado gris is a Milonga written by Benjamín García and recorded by Juan D’Arienzo in 1959. Juan D’Arienzo has recorded Tapado gris as an instrumental Milonga.
“Tapado gris,” or “Gray Cloak,” evokes a veil of mystery and subtle elegance within its notes. It is as if the music itself is wrapped in a somber, understated sophistication, hinting at shadows of past stories untold. Each note drifts like a whisper in the twilight, concealing emotions that lurk beneath the surface, yet inviting the listener to uncover them.

Letra del Milonga Tapado gris

Cuando mi alma queda en sombras
Y el silencio me entristece,
Tu figura me parece
Que avanza ante mis ojos otra vez…
Y es entonces cuando quiero
Arrancarte de este sueño,
Pero es en vano tanto empeño
Porque olvidarte, ya no puede ser

Vivir sin ti
Ya no es vivir,
Y es cruel, muy cruel
Vivir así…
En un grito atormentado
Y al recuerdo esclavizado.
Por ti… ya ves
Estoy así,
Igual que ayer
Vives en mí…
Y hoy te he visto más hermosa
Envuelta en fino tapado gris.

Noche eterna es esta noche
Horas largas estas horas,
En que mi alma, sí te añora
Llorando en la nostalgia de mi voz.
Cuánto duele mi tristeza
El silencio de tu olvido,
Todo, todo se ha perdido
Ya nada queda, de nuestro amor.

English lyrics of the Milonga "Tapado gris"

When my soul is cast in shadows
And silence brings me sorrow,
Your form seems to advance
Before my eyes again…
And it is then I wish
To tear you from this dream,
Yet this endeavor proves futile
For I cannot forget you.

To live without you
Is no longer living,
It is cruel, so cruel
To live this way…
In a tormented cry
Enslaved by memories.
Because of you… you see
I am this way,
Just like yesterday
You live in me…
And today I saw you lovelier still
Wrapped in a fine gray coat.

This night is an eternal night
These hours are so prolonged,
In which my soul, yes, misses you
Crying in the nostalgia of my voice.
How my sadness hurts
The silence of your forgetting,
Everything, everything is lost
Nothing remains, of our love.

Tapado gris by Lito Bayardo

Tapado gris is a Tango written by Lito Bayardo and composed by Benjamín García.

Story behind the Tango Tapado gris

The lyrics of “Tapado gris” outline a poignant story of enduring heartache and yearning after a separation or possibly the end of a love affair. The narrator speaks of being haunted by the image of a loved one and his futile attempts to erase these memories. The essence of the song reflects a deep-rooted pain and an inability to move past the memories of a beloved, who, despite their absence, continues to live vividly in the narrator’s mind. This notion is beautifully encapsulated in the recurrent image of the loved one appearing wrapped in a “tapado gris” (gray overcoat) symbolizing perhaps a last remembered image or a metaphorical shield protecting against the harshness of reality.

Symbolism of Tapado gris

The use of “tapado gris” as a central image in the tango carries rich symbolic meaning. The gray overcoat could represent anonymity, detachment, or the emotional barrier that the loved one has placed between themselves and the narrator. It conveys a sense of the hidden or obscured, the subdued emotions or unresolved aspects of their relationship. The color gray itself often signifies neutrality and balance, reflecting perhaps the emotional limbo in which the narrator finds himself—caught between his past affections and the bleakness of their unresolved conclusion.

Tapado gris in historic Context

Setting the creation of “Tapado gris” in Argentina in 1959 is crucial to understanding its emotional and cultural dimensions. During this period, Argentina was undergoing significant social and political transitions which often influenced the arts profoundly, including the genre of Tango which has historically been a mirror reflecting the collective emotions of the Argentine people. In such a context, a tango like “Tapado gris” might resonate deeply with an audience experiencing societal shifts, translating personal loss into a more universally felt experience.

Lito Bayardo

Lito Bayardo was an influential figure in Argentine music, known for his deep understanding of tango’s emotional landscape, which he adeptly penned down in his lyrics.