Fabrice Knecht Tango DJ
Style
Orchestra
Singer
Author
Composer
Date
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Tango de la medianoche is a Tango written by Héctor Marcó and composed by Armando Venanzi.
“Tango de la medianoche” translates to “Midnight Tango” in English, a song that captures the essence of a late-night atmosphere in a cabaret. The lyrics portray a scene filled with contrasting emotions, from Margot’s tears to Lilián’s laughter, encapsulating the highs and lows experienced by the patrons. This tango tells the story of an evening melting away into the wee hours, marked by dance and music, where personal stories unfold amidst the backdrop of a bustling nightlife scene.
The tango uses powerful symbolism to deepen its emotional effect. The “ronco fueye” (hoarse bellows) symbolizes the aged yet enduring spirit of the tango music. The “nubes de humo” (clouds of smoke) signify the transient, ephemeral nature of the cabaret’s nightly enchantments and possibly the fleeting nature of joy and sorrow. “Tango de la medianoche” repetitively in the lyrics not only emphasizes the song but also symbolizes a refuge or a sanctuary where one’s heart’s secrets are safe, nestled within the melancholic folds of the bandoneón’s music.
The tango was recorded in late 1953 in Argentina, a time and place rich in the cultural development of the tango. This period post-World War II was one of introspection and cultural expression in Argentina, with tango music serving as a critical outlet for public sentiment and personal emotion. The cabaret setting is particularly significant, as these venues were central to tango’s evolution, providing a space for both the celebration and lamentation reflected in the dance’s intricate steps and the music’s poignant melodies.
Héctor Marcó was a renowned Argentine lyricist, known for his significant contributions to the tango genre.