Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Tango brujo is a Tango written by Francisco Canaro and composed by Francisco Canaro.
The title “Tango brujo” translates to “Enchanted Tango” or “Witchcraft Tango,” suggesting an exploration of the spellbinding qualities of tango music and dance. The lyrics celebrate the tango’s alluring nature, its global journey, and its humble origins. The tango is portrayed not just as a dance or music genre but as a living entity that captures hearts worldwide and impacts the souls experiencing its rhythm.
The repeated reference to the tango as “bravo,” “lindo,” “noble,” and “guapo” (brave, beautiful, noble, and handsome) anthropomorphizes the dance, emphasizing its valiant and appealing characteristics. “Brujo” (wizard or witchcraft) underscores the mystical power of the tango to enchant and captivate, acting almost as a magical spell over those who engage with it. The lyrics invoke the imagery of “bandoneones” (a type of concertina particularly popular in Argentina and Uruguay), which is central in any traditional tango ensemble, symbolizing the core of tango’s musical identity.
Written in 1943 in Argentina, “Tango brujo” reflects a period when tango music was evolving and cementing its place not only in Latin American culture but globally. During this era, Argentina was navigating the complexities of its political landscape, which was marked by shifts towards populism and nationalism. Tango, often considered the music of the working class and the disenfranchised, held a special resonance as it traversed various social and national boundaries, symbolized here as moving through the universe without protocol.
Francisco Canaro was an influential figure in the world of Tango, celebrated both as a composer and musician. His works significantly shaped the Tango music scene.