Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Soy del 90 is a Tango written by Carlos Waiss and composed by Tito Ribero.
“Soy del 90” encapsulates a narration of self-identity rooted deeply in the values of a bygone era. The speaker in the lyrics identifies strongly with the 1990s, a time portrayed as honest and straightforward, devoid of pretense. The frequent invocation of “soy” (I am) throughout the song underscores a proud declaration of identity. The lyrics reminisce about a simpler time characterized by transparency in actions and purity in intentions, where social interactions were direct and unguarded.
This Tango employs powerful symbolism to conjure nostalgia and a connection to the past. “Tomar la caña brava sobre un estaño esquinero,” referring to drinking strong liquor at a bar’s corner, symbolizes straightforward behavior, communal gathering, and perhaps a spirit of resilience. The mention of “cobre” as humble and the equivocation of the rich and the poor highlight a societal vision of equality and honor. The phrase “guardia vieja,” translating to “old guard,” symbolically represents adherence to traditional values and the old ways of living and thinking.
The creation of “Soy del 90” during 1943 in Argentina is significant. During this period, Argentina was undergoing significant political and social changes. The tango emerged as a form of expression that often encapsulated the sentiments of the common people, particularly in Buenos Aires, where tango has deep roots. Here, the Tango might be reflecting a resistance or reaction to the changing times, with a yearning for the perceived simplicity and integrity of earlier decades.
Carlos Waiss was a notable figure in Argentine Tango, known for his poignant lyrics that often depicted the social landscape of his time.