Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Sin dobleces is a Tango written by Máximo Orsi and composed by .
“Sin dobleces” translates to “without folds” or “straightforward” in English, suggesting a theme of transparency and genuine emotion. The lyrics reminisce about past times, filled with love and simplicity, evoked through the melody of a waltz. The narrator recalls the “old neighborhood” and detailed, intimate settings like a house’s shadowed patio, which served as a backdrop to heartfelt stories and an intergenerational connection during the grandmother’s tales. These stories interweave personal history with broader cultural heritage, linking familial memories to the broader Argentine identity.
The waltz in the lyrics symbolizes a bridge across time, connecting the past’s happiness with the present’s yearning. Specific phrases like “el piano que en la sala,” which highlights the piano as a cherished object, symbolize continuity and the cherished moments of direct emotional expression. The “ancho pañolón” (wide shawl) the grandmother weaves while narrating tales denotes warmth, protection, and the weaving of stories that cloak the younger generation. These elements underscore the themes of memory, tradition, and emotional honesty.
Written in 1971 in Argentina, “Sin dobleces” emerged during a tumultuous period marked by political and social unrest. This context might reflect a nostalgic yearning for simpler, straightforward times amidst the complex societal changes. The lyrics’ focus on familial and individual memory possibly served as a soothing reminiscence against the backdrop of national upheaval. The tango, as a genre deeply woven into the Argentine cultural fabric, was an apt medium for expressing both personal and collective sentiment.
Máximo Orsi was a poignant figure in Argentine Tango, capturing deep emotional landscapes in his compositions.