Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Sin comprender is a Tango written by Carlos Bahr and composed by Miguel Nijensohn.
“Sin comprender”, translating to “Without Understanding” in English, poignantly articulates the theme of incomprehension in the face of lost love. The lyrics are infused with a sorrowful narrative where the singer delves into a night devoid of divinity—the night of the loved one’s absence. The primary themes of love, loss, and the tormenting desire to understand pervade this piece. It reflects the protagonist’s struggle to make sense of his heartache, expressed through nights of pondering and unanswered questions that haunt him with “cien recuerdos” (a hundred memories) echoing his lover’s voice.
The relentless passage of time despite emotional stasis is symbolized by the ticking clock, “Canta el reloj, su copla en mi abandono…” This contrasts starkly with his static shock and inability to move forward, emphasizing the paralysis of emotional pain. The juxtaposition of the ticking clock and the still man underscores the agony of lingering attachment versus the natural progression of time. Furthermore, the phrase “la culpa entre las manos del destino” (blame in the hands of fate) personifies destiny as an almost vindictive entity, adding to the song’s dramatic depth. This phrase heightens the sense of injustice felt by the protagonist, giving his sorrow a fatalistic quality.
Recorded in 1947, “Sin comprender” was conceived in post-World War II Argentina, a period marked by significant political and social changes. This context is essential as it mirrors the thematic expressions of confusion, search for meaning, and profound change in the personal lives of individuals echoed in the tango. The artistic milieu of this era often reflected such complexities, weaving personal losses with overarching societal shifts, thus making this piece resonate on multiple levels with its audience during that time.
Carlos Bahr was a prominent Argentine lyricist known for his deep emotional narratives within the Tango genre, often exploring themes of love, loss, and existential angst.