Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Silueta porteña is a Tango written by Ernesto Nolli y Orlando D’Aniello and composed by Nicolás Luis Cuccaro y Juan Ventura Cuccaro.
The Tango “Silueta porteña” (Porteña Silhouette) paints a vivid picture of a woman walking through the streets of Buenos Aires in the late afternoon. The lyrics are deeply evocative, describing the way her steps produce rhythmic, musical sounds that resemble a playful, street-born milonga (a type of tango music). This woman, with her confident sway and majestic posture, embodies the essence of porteña (a term for female residents of Buenos Aires) elegance and pride.
The symbolic language in “Silueta porteña” enhances its thematic depth, particularly through its references to nature and local identity. Phrases like “Tardecita criolla, de límpido cielo bordado de nubes, llevas en tu pelo” illustrates the woman’s beauty and demeanor as a natural, intrinsic part of the local environment—criollo (creole) implying local or native. Further, the comparison of flirtatious comments (piropos) from young men to little flowers paints an image of the woman collecting these accolades as naturally as one would adorn themselves with flowers.
Recorded in 1936, a time when Argentina was experiencing significant social and cultural transformations, “Silueta porteña” reflects a nostalgic embrace of the Buenos Aires urban spirit. The lyrics and the milonga rhythm capture the city’s vibrant street life during a period which saw the rise of tango as a symbol of national identity. The tango became a space for expressing the local vernacular, both in language and in dance, heralding a cultural pride that reached its peak during this period.
Ernesto Nolli and Orlando D’Aniello were prominent figures in the Tango scene, contributing to its golden age with their poetic lyrics and engaging compositions.