Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Siga la farra is a Tango written by Pascual De Luca and composed by Pascual De Luca.
The song “Siga la farra” encapsulates the profound sorrow and escapism through revelry following a significant personal loss. The lyrics tell the story of a person trying to drown the pain of a loved one’s death with alcohol and festivity. This narrative is deeply rooted in the Tango tradition, where themes of lost love and melancholy are frequent, yet here it is combined with a paradoxical celebration of life’s fleeting moments.
The recurring symbol in the lyrics is alcohol, representing both the escape from pain and the bittersweet remembrance of lost love. Phrases like “Beber de un trago” (drink in one gulp) and “embriagar mi mente con alcohol” (intoxicate my mind with alcohol) poignantly express the desire to obliterate the memory of the deceased lover and the pain. The contrast between celebration (“champagne”) and despair adds a layer of irony, emphasizing the complex emotions involved in grieving.
Written in 1928, a time of considerable social and cultural changes in Argentina, “Siga la farra” reflects the period’s turbulence and transformation. Amid the increasing cosmopolitanism of Buenos Aires, Tango evolved as an outlet for expressing the more melancholic aspects of the human experience, becoming a medium for both personal and collective emotional catharsis. The Tango’s popularity during this era can be attributed to its ability to articulate the unspeakable sorrows and fleeting joys of daily life.
Pascual De Luca was a composer and lyricist known for his contributions to Tango music, capturing the spirit and emotions of early 20th-century Argentina.