Fabrice Knecht Tango DJ
Style
Orchestra
Singer
Author
Composer
Date
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Siga el corso is a Tango written by Francisco García Jiménez and composed by Anselmo Aieta.
The lyrics of “Siga el Corso” paint a vivid scene of a carnival where masked revelers hide their true selves behind festive disguises. The narrative revolves around the interaction between the narrator and a mysterious woman, whose enchanting allure is highlighted by her secretive demeanor, ensnared in the festivities. This dynamic captures a blend of joy, intrigue, and underlying melancholy, indicative of the fleeting connections formed in such transient festive environments.
Key phrases like “Esa Colombina” and “¡Sacate el antifaz!” uncover layers of symbolism associated with masks and masquerades, suggesting themes of identity, concealment, and the revelation of true selves. The repeated traditions of Carnival, often a time for overturning daily norms, are mirrored in the interactions and the plea for the mysterious woman to reveal her true identity, highlighting a human yearning for authenticity amidst societal masquerades.
Composed in 1965, a period of significant political and social changes in Argentina, “Siga el corso” subtly reflects the societal atmosphere of its time — one marked by a façade of festivity while grappling with underlying societal upheavals. Carnival, as a historic celebration where roles are reversed and norms are challenged, serves as a perfect backdrop to critique or mirror the social masks worn during Argentina’s complex historical periods.
A revered figure in the world of tango, Francisco García Jiménez was known for his poignant lyrics that often encapsulated the spirit of Argentinian culture and the nuanced emotions of everyday life.