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Siga el corso

Siga el corso is a Tango written by Anselmo Aieta and recorded by Horacio Salgán in 1965. Horacio Salgán has recorded Siga el corso as an instrumental Tango.
“Siga el corso,” meaning “Follow the Parade” in English, invites listeners to immerse themselves in a world of vibrant celebration and rhythmic allure. The piece beckons you to join a lively procession, where each note is a step in the dance of life’s joyous carnival. As the music unfolds, it reminds us to embrace the spontaneous journey, moving forward with passion and unity.

Tango

Style

Horacio Salgán

Orchestra

Instrumental

Singer

Francisco García Jiménez

Author

Anselmo Aieta

Composer

1965/1/1

Date

Instrumental
Instrumental
Horacio Salgán
Horacio Salgán

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Siga el corso recorded by other Orchestras

Siga el corso recorded by other Orchestras

Letra del Tango Siga el corso

Esa Colombina

puso en sus ojeras

humo de la hoguera

de su corazón…

Aquella marquesa

de la risa loca

se pintó la boca

por besar a un clown.

Cruza del palco hasta el coche

la serpentina

nerviosa y fina;

como un pintoresco broche

sobre la noche

del Carnaval.



Decime quién sos vos,

decime dónde vas,

alegre mascarita

que me gritas al pasar:

‘-¿Qué hacés? ¿Me conocés?

Adiós… Adiós… Adiós…

¡Yo soy la misteriosa

mujercita que buscás!’

-¡Sacate el antifaz!

¡Te quiero conocer!

Tus ojos, por el corso,

va buscando mi ansiedad.

¡Tu risa me hace mal!

Mostrate como sos.

¡Detrás de tus desvíos

todo el año es Carnaval!



Con sonora burla

truena la corneta

de una pizpireta

dama de organdí.

Y entre grito y risa,

linda maragata,

jura que la mata

la pasión por mí.

Bajo los chuscos carteles

pasan los fieles

del dios jocundo

y le va prendiendo al mundo

sus cascabeles el Carnaval.

English lyrics of the Tango "Siga el corso"

That Columbine

added to her dark circles

the smoke of the bonfire

from her heart…

That marquise

with the wild laughter

painted her lips

just to kiss a clown.

From the box seat to the carriage

the streamer crosses,

nervous and delicate;

like a picturesque clasp

over the night

of Carnival.

Tell me who you are,

tell me where you’re going,

cheerful little mask

shouting as you pass:

“-What’s up? Do you know me?

Goodbye… Goodbye… Goodbye…

I am the mysterious

little woman you’re looking for!”

-Take off your mask!

I want to know you!

Your eyes, through the parade,

are what my eagerness seeks.

Your laughter hurts me!

Show yourself as you are.

Behind your diversions,

it’s Carnival all year long!

With loud mockery,

the horn of a sprightly

lady in organza blares.

And among screams and laughter,

a beautiful rogue swears

that passion for me kills her.

Under the humorous posters,

the faithful of the god of joy pass,

and Carnival adorns the world

with its jingles.

Siga el corso by Francisco García Jiménez

Siga el corso is a Tango written by Francisco García Jiménez and composed by Anselmo Aieta.



Story behind the Tango Siga el corso

The lyrics of “Siga el Corso” paint a vivid scene of a carnival where masked revelers hide their true selves behind festive disguises. The narrative revolves around the interaction between the narrator and a mysterious woman, whose enchanting allure is highlighted by her secretive demeanor, ensnared in the festivities. This dynamic captures a blend of joy, intrigue, and underlying melancholy, indicative of the fleeting connections formed in such transient festive environments.



Symbolism of Siga el corso

Key phrases like “Esa Colombina” and “¡Sacate el antifaz!” uncover layers of symbolism associated with masks and masquerades, suggesting themes of identity, concealment, and the revelation of true selves. The repeated traditions of Carnival, often a time for overturning daily norms, are mirrored in the interactions and the plea for the mysterious woman to reveal her true identity, highlighting a human yearning for authenticity amidst societal masquerades.



Siga el corso in Historic Context

Composed in 1965, a period of significant political and social changes in Argentina, “Siga el corso” subtly reflects the societal atmosphere of its time — one marked by a façade of festivity while grappling with underlying societal upheavals. Carnival, as a historic celebration where roles are reversed and norms are challenged, serves as a perfect backdrop to critique or mirror the social masks worn during Argentina’s complex historical periods.



Francisco García Jiménez

A revered figure in the world of tango, Francisco García Jiménez was known for his poignant lyrics that often encapsulated the spirit of Argentinian culture and the nuanced emotions of everyday life.