Fabrice Knecht Tango DJ
Fabrice Knecht Tango DJ
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Orchestra
Singer
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Siga el corso is a Tango written by and composed by Anselmo Aíeta.
The tango “Siga el corso” unfolds in the vibrant and bustling atmosphere of a carnival night, capturing fleeting moments of intrigue and allure. The lyrics speak to the deceptive yet enchanting masquerade between two individuals. Through vivid imagery and personified objects, this tango portrays a journey of passion, mystery, and ephemeral encounters. The narrator is drawn to the enigmatic “Colombina” and the playful, laughing “marquesa,” individuals hidden behind masks that disguise their true emotions and intentions. The essence of carnival, with its mask-wearing and revelry, becomes a metaphor for the facades people display in life’s parade.
“Siga el corso” employs several symbolic elements to convey its themes. The “serpentina” symbolizes fragility and whimsical movements in life and love, as it crosses from “the box to the car.” The mask (antifaz) embodies anonymity, hinting at the hidden layers within individuals and the desire to connect with their true selves. This longing is echoed in phrases like “¡Sacate el antifaz! ¡Te quiero conocer!”— a plea for authenticity. Additionally, references such as “risa loca” and “dios jocundo” encapsulate the joyous yet superficial nature of carnival, underscoring the contrast between reality and illusion.
Written in 1964 in Buenos Aires, Argentina, “Siga el corso” is deeply rooted in the cultural context of Argentine tango, a genre intertwined with themes of nostalgia, passion, and the soul’s longing. The lively atmosphere of Buenos Aires’ carnival season breathes life into the tango, as individuals find release from societal norms and embrace the freedom to be anyone amidst the vivacious festivities. The lyrics capture the essence of mid-20th century Buenos Aires where social gatherings like carnivals were an escape from the mundane, offering a glimpse into the city’s rich cultural tapestry. The carnival represents both a literal and metaphorical stage for self-expression and liberation, reflecting the era’s fascination with identity and performance.
Anselmo Aíeta was a notable Argentine composer and musician, recognized for his work that adds melodic depth to the world of tango, bringing tales of love, loss, and Buenos Aires’ streets to life.