Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Siga el corso is a Tango written by Ángel Villoldo and composed by Anselmo Aíeta.
“Siga el Corso” is a tango that thematically delves into the world of carnival and masked balls, where characters hide behind masks and embrace the fleeting revelry of the occasion. The lyrics explore the dualities of masks—both as a literal disguise and as a metaphor for the façade people maintain in their daily lives. The narrator is enchanted by a mysterious woman whose true identity remains concealed behind her mask, igniting his curiosity and yearning to unmask her emotions and true self.
Symbolism is rich in “Siga el Corso,” with masks representing the dual nature of people during Carnival—a time when social boundaries dissolve, allowing people to adopt alternative personas. The “mascarita,” or small mask, is a potent symbol of mystery and allure, underscoring the ambiguity of human emotion amidst the merry celebration. The serpentine streamers crossing from the box seat to the car paint a vivid picture of connection and fleeting encounters, enhancing the lively yet transient nature of the carnival night. Key phrases like “detrás de tus desvíos todo el año es Carnaval” suggest the perennial disguises we wear, indicating that life’s stage is a constant carnival beyond the festive season.
Written in the mid-1940s, “Siga el Corso” reflects the festive culture of Buenos Aires, where tango was a vibrant part of the social fabric. The carnival setting captures a city pulsing with life, where the tango era thrived as an expression of both joy and longing. This setting provides a backdrop where anonymity and hidden intentions during carnival contrast sharply with the restrained societal norms outside of these festive nights. This contrast highlights themes of freedom versus societal expectations, resonating deeply with audiences during this era in Buenos Aires.
Ángel Villoldo was an influential figure in the tango scene, known for his pioneering contributions that helped establish tango as a popular musical genre in Argentina and beyond.