Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Siempre primero is a Tango written by Francisco Gorrindo and composed by .
The lyrics of “Siempre primero” evoke a poignant narrative where the speaker encounters an old love, only to realize that they both have irrevocably changed and cannot revert to their past selves. It captures a moment of painful clarity and acceptance. They met the night before, and this unexpected reunion brings forth memories and the harsh reality that time has altered their bond and individual identities. This reunion ends with a mutual understanding that their relationship, as it was, can no longer exist, prompting a bittersweet farewell.
The pervasive imagery in “Siempre primero” provides deep emotional context to the narrative. Symbolic language such as “fuimos dos extraños mirando el pasao” (we were two strangers looking at the past) highlights emotional alienation despite a shared history. The mention of a photograph serves as a symbol of unchanging memory, preserving the image of youth and happiness, in stark contrast to their present reality. The recurrent iterations of ‘paciencia’ (patience) and the phrases about life’s nature underscore the inevitability and acceptance of change, symbolizing life’s capacity to weather romantic ideals.
The tango was created in Argentina in 1970, a period marked by political and social upheaval in the country. This context potentially infuses the song with a deeper layer of nostalgia and weariness, mirroring the societal longing for a simpler, more stable past. The reflective and somewhat resigned tone of the lyrics could be mirroring the national sentiment at a time when Argentina was grappling with rapid changes and uncertainties.
Francisco Gorrindo was a renowned lyricist in the realm of Argentine Tango, known for his emotionally resonant and insightful lyrics.