Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Si supiera que la extraño is a Tango written by Carlos Waiss and composed by Héctor Varela.
The lyrics of “Si supiera que la extraño” encapsulate the profound anguish and longing felt by a person bereft of their lover’s presence. The song’s persona narrates a desperate lament about missing their beloved, expressing grief that is palpable throughout the piece. Emotions of jealousy (“Llora la noche de celos”), pain inflicted by memories (“las penas van clavando mil puñales en mi cielo”), and a sense of betrayal or a desire for reassurance (“cuando busco la mentira que me pide el corazón”) permeate the lyrics. The repeated wish, “Si supiera que la extraño,” reflects a deep desire for the beloved to understand the extent of this suffering, possibly prompting a reunion or a reassurance of love.
The tango makes extensive use of vivid, evocative imagery and symbolism to deepen the emotional experience. Phrases like “mil puñales en mi cielo” symbolize the acute, almost physical pain of heartache, while “la noche de celos” personifies the night with feelings of jealousy, suggesting an environment saturated with emotional turmoil. The reference to “crispar los puños con ira” reveals the frustration and anger intertwined with grief, showcasing the complex emotions involved in longing and unresolved love. Furthermore, “la cruz de mi calvario” invokes religious imagery, likening the protagonist’s suffering to Christ’s burden on the way to Calvary, thus elevating the personal agony to a sacrificial, monumental scale.
Composed in 1945, amidst a time of political and social upheaval in Argentina, this tango reflects the broader context of uncertainty and emotional upheaval. Coming out just before the rise of Juan Domingo Perón, Argentina was at a historical crossroads, dealing with the aftermath of World War II and its own economic troubles. In such times, tango often served as an emotional outlet for the populace, providing a means to express and cope with collective anxieties and personal sorrow. The repeated questioning and longing “Si supiera que la extraño” could also subtly mirror the societal yearning for stability and reassurance in a time of national malaise.
Carlos Waiss was a notable Argentine lyricist, known for his contributions to the genre of tango, capturing deep emotional and social nuances within his lyrics.