Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Shusheta (El aristócrata) is a Tango written by Enrique Cadícamo and composed by Juan Carlos Cobián.
“Shusheta (El aristócrata)” paints a vivid picture of a bygone era in Buenos Aires, depicting a distinguished gentleman, renowned for his gallantry and elegance. Often seen strolling down Calle Florida, a bustling street in the heart of Buenos Aires, he is characterized by his spats, top hat, and cane—an attire symbolic of aristocracy and refinement in early 20th century Argentina. Through bittersweet nostalgia, the lyrics reflect on the youthful exuberances of this protagonist, where his pursuits in romance and high society are highlighted against the backdrop of iconic locations like the Jockey Club and Palermo, embodying the luxurious life of the Argentine elite.
The symbolism in “Shusheta” deeply resonates with the contrasts between the cherished past and the forgotten legacies of individuals. The repeated vision of the protagonist “with his spats, top hat, and cane” symbolizes a persona caught in time, representing traditional values of elegance and chivalry that have seemingly vanished in the face of modernity. The “carnation in the buttonhole” is a further testament to the old-world charm and romanticized gestures that were once paramount in high society. Furthermore, places like the Petit Salón and Armenonville, famous for their vibrant social life, symbolize the frivolity and transient nature of societal grandeur, emphasizing the fleeting moments of joy and the inevitable passage of time.
Released on April 5, 1945, “Shusheta (El aristócrata)” emerges during a transformative era in Argentina’s history, marked by political shifts and cultural evolution. The nostalgic reflection of aristocratic lifestyles serves as both a tribute and a critique of a fading upper class, which had dominated the cultural and social landscapes of Buenos Aires. This Tango thus not only celebrates the glamorous life but also notes its eventual decline, as suggested by the repetitive and melancholic recall of the protagonist’s appearances. This period also saw Tango evolving as a genre that encapsulated the sentiments of the masses, ranging from stories of love to reflections on social changes, thereby positioning “Shusheta” as a poignant reminiscence of an era grappling with progression and the preservation of traditional identities.
Enrique Cadícamo was a renowned Argentine lyricist and poet, celebrated for his significant contributions to the Tango genre. His works are cherished for their rich imagery and emotional depth.