Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Sentimiento de bohemio is a Tango written by Roberto Giménez.
In “Sentimiento de bohemio,” Roberto Giménez articulates a journey of deep regret and self-reckoning. The lyrics narrate the story of a person who is confronting the emotional aftermath of their actions towards someone they loved. The protagonist reflects on how they are experiencing the consequences (“culpa”) of their past behavior, emphasizing a sense of lost love that can never be reclaimed. This poignant reflection is underscored by the acknowledgment of their failure to appreciate the affection and devotion that was once offered to them.
The use of phrases such as “El llorar por las cenizas” (Crying over the ashes) signifies mourning over what is irretrievably lost — the remnants of a once vibrant relationship. The imagery of ashes connotes something that was consumed by fire, perhaps suggesting love that was once intense but now has burned out, leaving nothing but remnants to grieve over. The repetition of the phrase “Quiero llorar y no puedo” (I want to cry but I can’t) highlights a profound internal struggle, indicating a deep emotional blockage despite the overwhelming urge to express sorrow.
Released in 1971, “Sentimiento de bohemio” emerges during a period marked by significant political and social changes in Argentina. This era, leading up to tumultuous decades, might reflect in the themes of introspection and regret found in the song. The personal lamentation and missed opportunities for reconciliation in the lyrics could subtly mirror the broader societal desire for change or reflection on past actions within the Argentine community at the time.
Roberto Giménez was an influential figure in the Argentine tango scene, celebrated for his emotive and often introspective lyrics.