Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Señores yo soy del centro is a Tango written by Santiago Adamini and composed by Armando Baliotti.
The tango Señores yo soy del centro narrates the story of an individual proudly proclaiming their identity and life in the bustling heart of the city. Central to the composition is the speaker’s residence at “Calle Corrientes casi esquina Paraná,” a precise and iconic location in Buenos Aires that is synonymous with the vibrancy and cultural richness of Argentine life. This location not only situates the protagonist within a lovable urban landscape but also cements his belonging and status within the local social milieu. Through the lines of this tango, the speaker takes pride in their proficiency in dance, an essential cultural aspect of Buenos Aires, while modestly downplaying their acclaimed skill.
The tango employs vibrant urban scenery and the personal charm of dance to mirror the spirited life of Buenos Aires. The proclamation “Señores yo soy del centro” (Gentlemen, I am from the downtown) stands as a bold affirmation of the protagonist’s central place in the city’s cultural heartbeat. Symbolically, the downtown area represents not just a physical space but a convergence of tradition, modernity, and identity. Furthermore, the contrasting statements about the speaker’s dance—ranging from unrivaled talent to an expressed modesty—emphasize humility and perhaps the everyman’s internal struggle between pride and humility.
Composed in 1945, a pivotal year marking the end of World War II and significant political shifts globally, including in Argentina, this tango might subtly reflect the sentiments of return to routine and cultural reaffirmation. In Argentina, this period was marked by political upheaval and the rise of Juan Domingo Perón. For many Argentines, tango served not just as a form of entertainment but also as a cultural retention of identity amidst rapidly changing political landscapes. Hence, highlighting one’s neighborhood and prowess in a quintessentially Argentine dance like tango could be seen as an assertion of stability and personal authenticity.
Santiago Adamini was a prolific tango lyricist whose works captured the essence and vibrancy of Argentine culture and daily life.