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Señores yo soy del centro

Señores yo soy del centro is a Milonga written by Armando Baliotti and recorded by Ángel d’Agostino in 1945. The Milonga Señores yo soy del centro is written by Armando Baliotti, Ángel d’Agostino has recorded Señores yo soy del centro with the singer Ángel Vargas.
“Señores yo soy del centro” translates to “Gentlemen, I am from the center” in English. This evocative title speaks to a deep sense of belonging and pride, rooted in the heart of one’s homeland or cultural identity. It suggests a bold declaration of one’s origins, celebrating the core of tradition and the pulsating rhythm of a central life force.

Milonga

Style

Ángel d'Agostino

Orchestra

Ángel Vargas

Singer

Santiago Adamini

Author

Armando Baliotti

Composer

1945/3/20

Date

Ángel Vargas
Ángel Vargas
Ángel d'Agostino
Ángel d’Agostino

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Señores yo soy del centro recorded by other Orchestras

Señores yo soy del centro recorded by other Orchestras

Lyrics Translation of the Milonga Señores yo soy del centro

This is the translation of the Milonga “Señores yo soy del centro” from Spanish to English. The English lyrics of the Milonga “Señores yo soy del centro” have been done with AI.

Letra del Milonga Señores yo soy del centro

Señores, yo soy del centro,
del centro de la ciudad.
Vivo en la calle Corrientes
casi esquina Paraná,
tengo allí constituido
mi domicilio legal.
Lo divulgo por si acaso
alguien lo quiere anotar.

Soy modesto, tan modesto,
que me limito a callar
cuando escucho que comentan
mi manera de bailar.
Unos dicen que en el tango
no ha nacido mi rival,
otros creen que en la milonga
se aprecia la calidad.
Y yo francamente digo
que no me atrevo a opinar.

Yo me firmo Federico
José María Cabral,
y subrayo para el caso,
bailarín profesional.

English lyrics of the Milonga "Señores yo soy del centro"

Gentlemen, I am from downtown,
from the center of the city.
I live on Corrientes Street,
almost at the corner of Paraná,
there I have established
my legal residence.
I disclose this just in case
someone wants to note it down.

I’m modest, so modest,
that I just keep quiet
when I hear them comment
on my way of dancing.
Some say that in tango
I have no rival born,
others think that in the milonga
one can appreciate quality.
And I frankly say
I dare not give my opinion.

My name is Federico
José María Cabral,
and I emphasize for the record,
professional dancer.

Señores yo soy del centro by Santiago Adamini

Señores yo soy del centro is a Tango written by Santiago Adamini and composed by Armando Baliotti.


Story behind the Tango Señores yo soy del centro

The tango Señores yo soy del centro narrates the story of an individual proudly proclaiming their identity and life in the bustling heart of the city. Central to the composition is the speaker’s residence at “Calle Corrientes casi esquina Paraná,” a precise and iconic location in Buenos Aires that is synonymous with the vibrancy and cultural richness of Argentine life. This location not only situates the protagonist within a lovable urban landscape but also cements his belonging and status within the local social milieu. Through the lines of this tango, the speaker takes pride in their proficiency in dance, an essential cultural aspect of Buenos Aires, while modestly downplaying their acclaimed skill.


Symbolism of Señores yo soy del centro

The tango employs vibrant urban scenery and the personal charm of dance to mirror the spirited life of Buenos Aires. The proclamation “Señores yo soy del centro” (Gentlemen, I am from the downtown) stands as a bold affirmation of the protagonist’s central place in the city’s cultural heartbeat. Symbolically, the downtown area represents not just a physical space but a convergence of tradition, modernity, and identity. Furthermore, the contrasting statements about the speaker’s dance—ranging from unrivaled talent to an expressed modesty—emphasize humility and perhaps the everyman’s internal struggle between pride and humility.


Señores yo soy del centro in historic Context

Composed in 1945, a pivotal year marking the end of World War II and significant political shifts globally, including in Argentina, this tango might subtly reflect the sentiments of return to routine and cultural reaffirmation. In Argentina, this period was marked by political upheaval and the rise of Juan Domingo Perón. For many Argentines, tango served not just as a form of entertainment but also as a cultural retention of identity amidst rapidly changing political landscapes. Hence, highlighting one’s neighborhood and prowess in a quintessentially Argentine dance like tango could be seen as an assertion of stability and personal authenticity.


Santiago Adamini

Santiago Adamini was a prolific tango lyricist whose works captured the essence and vibrancy of Argentine culture and daily life.