Fabrice Knecht Tango DJ
Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Señores yo soy del centro is a Tango written by Santiago Adamini and composed by Armando Baliotti.
“Señores yo soy del centro” narrates the life and assertions of a character deeply rooted in the heart of Buenos Aires. Positioned in the bustling intersection of Corrientes and Paraná streets, the narrator establishes this location not just as his residence but as an essential part of his identity. The lyrics reflect a subtle pride intertwined with modesty about his skills in tango and milonga, juxtaposing public opinion with personal humility.
In this tango, the central metaphor is the self-proclamation of being from “the center,” implying not only a geographical heart of the city but also symbolizing being at the core of the cultural and social life where tango thrives. Streets mentioned such as Calle Corrientes and Paraná are symbolic centers of artistic life in Buenos Aires, renowned for theaters, bookshops, and cafes. The reference to dance, particularly tango and milonga, represents the essence of Porteño culture, embodying emotion, complexity, and the inherent contrasts of modesty and pride.
Key phrases like “Soy modesto, tan modesto, que me limito a callar” underscore the narrator’s humility juxtaposed with the city’s loud, vibrant heartbeat. By stating he says nothing about his dancing prowess, although others may praise or criticize, he elevates the tango beyond mere performance to a personal credo, reflecting the unspoken depths of his identity.
“Señores yo soy del centro” was written during World War II, a period marked globally by conflict and nationally by Argentina’s wavering neutrality. The year 1944 found Argentina in a socially charged atmosphere, which influenced its cultural expressions. Tango, flourishing in a period of significant national tension, served not only as entertainment but as a subtle commentary on the societal status quo. The lyrics of this tango, reflective and grounded in local geography and culture, echo the Argentine ethos of finding strength and identity in art during turbulent times.
Santiago Adamini was an Argentine lyricist known for his contributions to the tango genre. His works often encapsulate the spirit of Buenos Aires and its cultural nuances.