Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Se fue la pobre viejita is a Tango written by Enrique Cadícamo and composed by Pedro Noda.
This tango tells the poignant story of a young woman who leaves her humble beginnings and a beloved elderly woman, presumably her mother, behind. It paints a vivid picture of a life marred by hardship and sorrow, culminating in the heart-wrenching departure of the ‘pobre viejita’ (poor little old lady). The emotional depth of the lyrics unravels the trajectory of despair in familial and personal relationships, reflective of broader societal issues.
The symbolism in these lyrics is rich and layered. The ‘charquito de agua turbia’ (little pool of muddy water) represents the tainted and murky past and present of the characters. Meanwhile, the phrase ‘sin un dulce adiós’ (without a sweet goodbye) highlights the pain of unresolved farewells, emphasizing themes of abandonment and loss. The reference to the old lady as ‘santa’ suggests her inherent goodness, juxtaposing her purity against the darker paths taken by her children.
Recorded in 1932 in Argentina, a period marked by socio-economic challenges, this piece echoes the resonant themes of societal decay and familial disintegration. The era was characterized by great disparity and strife, which is mirrored in the personal tragedies and moral decline depicted in the lyrics. The Tango, emerging from such a rich and complex socio-cultural fabric, becomes a medium to voice the silent cries of the marginalized.
Enrique Cadícamo was a celebrated Argentine poet and tango lyricist known for capturing the essence of urban life and its characters in his works.