Santa is a Cancion Bolero written by and recorded by Osvaldo Fresedo in 1935. The Cancion Bolero Santa is written by , Osvaldo Fresedo has recorded Santa with the singer Roberto Ray.
“Santa,” meaning “Saint” in English, evokes a sense of reverence and grace. This piece of music, perhaps a Tango, dances with the soulful passion of a sacred encounter, where earthly desires meet heavenly aspirations. Each note is a blessing, weaving an ethereal tapestry that transcends the ordinary, inviting the listener into a divine embrace.
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
This is the translation of the Cancion Bolero “Santa” from Spanish to English. The English lyrics of the Cancion Bolero “Santa” have been done with AI.
Santa recorded by Osvaldo Fresedo
Santa is an instrumental Tango composed by Carlos Di Sarli and Osvaldo Fresedo.
Interpretation of Santa
The name “Santa,” meaning “holy” or “saint” in English, could evoke an air of reverence and deep emotion when translated into music by the Tango Orchestra Osvaldo Fresedo. The instrumental arrangement might open with a gentle, sacred-like melody on the bandoneón, symbolizing a spiritual beginning. This introduction would be followed by a majestic violin section, accompanied by a rhythmic piano and double bass, capturing the solemnity and grace the name implies. The music may then rise and fall like a procession, conveying a blend of devotion and elegance, embodying the holy essence of the name “Santa.”
Osvaldo Fresedo and Santa
Osvaldo Fresedo, known for infusing his tangos with a refined and sophisticated sound, brings “Santa” to life with a distinct blend of tenderness and grandeur. Known as “El Pibe de La Paternal,” Fresedo’s orchestra was adept at merging classical influences with traditional tango rhythms. This particular piece, recorded during the orchestra’s prolific era in 1935, showcases Fresedo’s capability to evoke strong emotions through his intricate arrangements and the subtle interplay between various instrumental sections. “Santa,” as performed by his orchestra, becomes an exemplary piece demonstrating the fusion of Argentine spirit with a touch of sacred introspection.