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Santa Milonguita

Santa Milonguita is a Tango written by Enrique Delfino and recorded by Juan D’Arienzo in 1957. The Tango Santa Milonguita is written by Enrique Delfino, Juan D’Arienzo has recorded Santa Milonguita with the singer Jorge Valdez.
“Santa Milonguita,” or “Little Milonga Saint,” evokes a vibrant dance that embraces the soul with both reverence and mischief. The name suggests a sacred touch to the lively, rhythmic milonga, where the dance floor becomes a sanctuary for fleeting passions. It paints a picture of an enchanting night where each step is a whispered prayer to the dance itself.

Tango

Style

Juan D'Arienzo

Orchestra

Jorge Valdez

Singer

Enrique Cadícamo

Author

Enrique Delfino

Composer

1957/8/29

Date

Jorge Valdez
Jorge Valdez
Juan D'Arienzo
Juan D’Arienzo

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Santa Milonguita recorded by other Orchestras

Santa Milonguita recorded by other Orchestras

Lyrics Translation of the Tango Santa Milonguita

This is the translation of the Tango “Santa Milonguita” from Spanish to English. The English lyrics of the Tango “Santa Milonguita” have been done with AI.

Letra del Tango Santa Milonguita

Santa milonguita…

tenía los ojos,

tan grandes y claros,

que hacían suspirar…

Sus labios pecaban,

de breves y rojos,

y era su mirada,

color verde mar.

Ella que fue siempre,

festín y alegría,

que en juego de copas,

se hartó de champán…

Tuvo un bello arranque,

de sensiblería,

y quiso ser buena,

buena como el pan…



Redimida…

por la pasión de un nuevo dueño,

mirando el cielo de su vida,

encontró más encendida,

la estrellita de sueños…

Pero un día…

cuando el amor más los ataba,

golpeó a sus puertas rudamente,

la miseria y… crudamente,

del amor la separó.



Santa Milonguita,

bandeada de pena,

por ley del arroyo,

volvió al cabaret…

No tuvo la suerte,

de la Magdalena,

que con cuatro llantos

volvió a ser mujer.

Todas las amigas,

la historia escuchaban,

de aquella muchacha,

que quiso soñar…

Y al final del cuento,

vieron que lloraban,

sus ojos aquellos,

color verde mar.

English lyrics of the Tango "Santa Milonguita"

Saint Milonguita…

had such wide, clear eyes,

that they made you sigh…

Her lips sinned,

short and red,

and her glance was,

the color of the sea.

She, who was always,

the life of the party,

drank her fill of champagne,

in drinking games…

She had a beautiful burst,

of sentimentality,

and wanted to be good,

as good as bread…

Redeemed…

by the passion of a new master,

looking into the sky of her life,

she found brighter,

the little star of dreams…

But one day…

when love bound them the most,

misery knocked on her doors rudely,

and crudely,

tore her from love.

Saint Milonguita,

draped in sorrow,

by the law of the streets,

returned to the cabaret…

She didn’t have the luck,

of Magdalene,

who with four tears,

returned to womanhood.

All her friends,

listened to the story,

of that girl,

who wished to dream…

And at the end of the tale,

they saw crying,

those big eyes,

the color of the sea.

Santa Milonguita by Enrique Cadícamo

Santa Milonguita is a Tango written by Enrique Cadícamo and composed by Enrique Delfino.

Story behind the Tango Santa Milonguita

The lyrics of “Santa Milonguita” narrate the sorrowful yet poignant story of a woman entrapped by the joys and illusions of love and society’s harsh realities. The protagonist, symbolically named Santa Milonguita, is depicted vividly with “eyes so large and clear” and lips “short and red,” emblematic of innocence and sensuality. Her journey from a life filled with light-heartedness and champagne to redemption through the love of a new partner poignantly captures her transient hope. However, this hope is shattered as poverty cruelly snaps her back into the harsh world of cabaret, illustrating the painful cycle of aspiration and despair.

Symbolism of Santa Milonguita

The character of Santa Milonguita herself is a profound symbol of lost purity and the struggle for redemption within a judgmental society. Her eyes, “color verde mar” (sea-green), symbolize a deep, almost celestial desire for a better life, contrasting with her reality. The references to champagne and cabaret illustrate the fleeting and superficial nature of her earlier environment. The poignant twist where her fate does not follow that of the biblical Magdalene—who finds redemption through repentance—underscores the unforgiving nature of the society she inhabits. Importantly, her return to the cabaret, “bandeada de pena” (smeared with sorrow), signals the inescapable stigma and the vicious cycle of judgment and penance.

Santa Milonguita in historic Context

Recorded in 1957, during a time when Argentina was undergoing significant social and political changes, “Santa Milonguita” reflects the general atmosphere of disillusionment in society. The tango, a genre deeply woven into the fabric of Argentine culture, often explores themes of love, betrayal, and sorrow, serving as a mirror to the societal issues of the time. The character’s oscillation between hope and despair could also metaphorically represent the national sentiment in Argentina during the mid-20th century, marked by economic instability and political unrest.

Enrique Cadícamo

Enrique Cadícamo was a prolific Argentine poet and tango lyricist, known for his deep and evocative compositions that capture the essence of the bohemian life and the complexities of love and loss.