Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Salí de perdedor is a Tango written by Héctor Varela y Alberto Nery.
The tango “Salí de perdedor” narrates a story of transformation from misfortune to triumph. The narrator reflects on life’s unpredictability, where good luck can seem elusive. Throughout the tango, the narrator expresses feelings of having been a perpetual loser, both in games of chance and in love. Yet, there’s a turning point where suddenly fortune smiles upon him, providing him with success in both realms. This newfound luck brings the protagonist a sense of victory and fulfillment, allowing for a hopeful song of personal achievement.
The lyrics are rich with symbolism. The “tapete” (carpet) represents the broader playing field of life, where unpredictable outcomes occur, similar to games of chance. The theme of “juego y el amor” (game and love) symbolizes the parallel highs and lows experienced in everyday life and in romantic pursuits. Key phrases like “Salí de perdedor” and “gané en el juego y en el amor” emphasize the triumph over past failures and suggest a break from the adage “Afortunado en el amor, en el juego no podrá ganar” (Lucky in love, unlucky in gambling).
Composed in 1939 in Buenos Aires, Argentina, “Salí de perdedor” is set during a time when the city was a hub of cultural vitality, especially for tango, a genre deeply tied to the city’s identity. The late 1930s were a period of global uncertainty, shadowed by the looming Second World War, making themes of personal redemption and triumph through adversity particularly resonant. Buenos Aires, known for its vibrant neighborhoods and colorful street life, serves as the backdrop for this tango, reflecting the dynamic spirit of its people.
Héctor Varela was a renowned tango composer, contributing significantly to the evolution of the Argentine tango scene.