Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Ronda de ases is a Tango written by Homero Manzi and composed by Osvaldo Fresedo.
“Ronda de ases,” which translates to “Round of Aces,” captures the enduring spirit of tango in Buenos Aires, memorializing influential figures in tango’s golden age who are regarded as cultural aces. Manzi’s poignant lyrics, encapsulating a roll call of tango legends, suggest that these figures, though gone, will forever resonate in the city’s soul. This eternal presence is signified in the repeated line, “Ronda de ases que no habrán de morir en mi ciudad… mientras se queje un violín,” implying that as long as the violin laments, the essence of these icons will never die.
The imagery and symbolism in “Ronda de ases” evoke a profound reverence for the past. Landmarks and elements like “farol de arrabal” (streetlight of the suburb) or “Telón de almacén” (shop’s curtain) evoke specific sceneries of traditional Buenos Aires, serving as backdrops to the lives and performances of mentioned tango legends. Manzi uses these items to symbolize ordinary yet iconic facets of city life that blend the everyday with the cultural tapestry of tango. Additionally, each historical figure mentioned brings a distinct legacy, like Carlos Gardel’s echoing voice, symbolizing their immortal contribution to the cultural landscape.
Written in 1942, “Ronda de ases” emerged during a rich cultural era for tango when Buenos Aires was a thriving hub for this dance and musical genre. Names mentioned like Carlos Gardel, whose legendary status as a tango singer and actor transcends time, or instrumentalists like Pedro Maffia, grant historical depth to the lyrics, linking listener’s emotional memory with Buenos Aires’ geographic and cultural identity. The nostalgic recollection painted by Manzi reflects a common sentiment during the period, highlighting a longing and romantic remembrance for the “golden age” of tango amidst the contemporary struggles of the World War II era.
Homero Manzi was a prominent Argentine lyricist, renowned for his poignant and evocative tango lyrics, deeply rooted in the urban landscape of Buenos Aires.
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