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Rodríguez Peña

Rodríguez Peña is a Tango written by Vicente Greco and recorded by Carlos di Sarli in 1956. Carlos di Sarli has recorded Rodríguez Peña as an instrumental Tango.
“Rodríguez Peña,” translated to English as “Rodríguez Pine,” conjures an evocative sense of place and tradition. The name suggests the sturdy presence of a towering pine, deeply rooted in history and resonating with whispers of the past. Through the rhythms of tango, it paints a vivid dance of resilience and delicate longing.

Tango

Style

Carlos di Sarli

Orchestra

Instrumental

Singer

Juan Velich

Author

Vicente Greco

Composer

1956/2/23

Date

Instrumental
Instrumental
Carlos di Sarli
Carlos di Sarli

Discover Other Orchestras

Horacio Salgán – La gayola – 1962/1/1
Horacio Salgán – Pimienta – 1971/1/1
Horacio Salgán – Shusheta (El aristócrata) – 1951/5/30
Horacio Salgán – Un cielo para los dos – 1956/1/1
Horacio Salgán – El entrerriano – 211/12/1
Pedro Laurenz – Alma de bohemio – 1943/7/15
Pedro Laurenz – Amurado – 1952/9/25
Pedro Laurenz – Mala junta – 1968/12/1
Pedro Laurenz – Cuando me entrés a fallar – 1952/6/25
Pedro Laurenz – Temblando – 1944/4/26
Julio De Caro – Copacabana (Nido de amor) – 1941/1/1
Julio De Caro – Mosca brava – 1926/1/1
Julio De Caro – Flores negras – 1952/9/19
Julio De Caro – La rayuela – 1941/1/1
Julio De Caro – Criolla linda – 1950/9/11
Horacio Salgán Y Dante Amicarelli – Malambo de las campanas – 1970/1/1
Horacio Salgán Y Dante Amicarelli – La sombra de tu sonrisa (The shadow of your smile) – 1971/1/1
Horacio Salgán Y Dante Amicarelli – Scherzo – 1971/1/1
Horacio Salgán Y Dante Amicarelli – Chiclana – 1971/1/1
Horacio Salgán Y Dante Amicarelli – Juego de damas – 1971/1/1

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Rodríguez Peña recorded by other Orchestras

Rodríguez Peña recorded by other Orchestras

1956/2/23 – El jaguel – Carlos di Sarli
1956/2/23 – De que podemos hablar – Carlos di Sarli
1956/2/29 – Mala yerba – Carlos di Sarli
1956/2/29 – Canaro – Florindo Sassone
1956/2/29 – Lagrimas – Florindo Sassone
Rodriguez Pena – 1945/1/3 – Carlos di Sarli – Instrumental
Rodriguez Pena – 1952/4/8 – Carlos di Sarli – Instrumental
Rodriguez Pena – 1956/2/23 – Carlos di Sarli – Instrumental
Rodriguez Pena – 1938/1/7 – Juan D-Arienzo – Instrumental
Rodriguez Pena – 1965/7/25 – Juan D-Arienzo – Instrumental
Rodriguez Pena – 1927/4/19 – Osvaldo Fresedo – Instrumental
Rodriguez Pena – 1942/9/4 – Osvaldo Fresedo – Instrumental
Rodriguez Pena – 1980/1/1 – Alfredo De Angelis – Instrumental
Rodriguez Pena – 1970/1/1 – Jose Basso –
Rodriguez Pena – 1957/4/26 – Hector Varela – Instrumental
Rodriguez Pena – 1959/9/29 – Florindo Sassone – Instrumental
Rodriguez Pena – 1973/1/1 – Florindo Sassone – Instrumental
Rodriguez Pena – 1937/3/27 – Cuarteto Tipico Roberto Firpo – Instrumental
Rodriguez Pena – 1960/1/1 – Domingo Federico – Instrumental
Rodriguez Pena – 1932/6/24 – Adolfo Carabelli – Alberto Gomez
Rodriguez Pena – 1927/6/4 – Orquesta Tipica Victor – Instrumental

Letra del Tango Rodríguez Peña

Llora mi corazón
en el silencio del arrabal
al ver que todo cambiado está.
Honda recordación
del romancesco pasado aquel
que tanto amé.

Adiós, Rodríguez Peña de mi alegre juventud.
Rincón que al evocar me acerca al tierno bien
que fuera como un astro del hermoso ensueño azul
que en mi rodar incierto no olvidé
y mi tango que se hermana con mi gran sentir
suspira al comprender que ya no volverán
las tardes y las noches que contento compartí
con los muchachos de ese tiempo ideal.

Tango de mis glorias,
que repito con mi fiel canción,
tango que sonriendo
con mi diosa lo bailé.
Quiero, tango lindo,
que me arrulles con tu dulce voz,
como aquellos días
venturosos del ayer.

English lyrics of the Tango "Rodríguez Peña"

My heart cries
in the silence of the slum
seeing that all has changed.
Deep reminiscence
of the romantic past
that I loved so much.

Goodbye, Rodríguez Peña of my joyful youth.
Corner that when recalled brings me close to the tender goodness
that was like a star in the beautiful blue dream
that in my uncertain journey I did not forget,
and my tango, which resonates with my great feeling,
sighs understanding that they will not return,
the afternoons and nights I happily shared
with the boys of that ideal time.

Tango of my glories,
which I repeat with my faithful song,
tango that I danced
smiling with my goddess.
I want, lovely tango,
for you to lull me with your sweet voice,
like those happy days
of the past.

Rodríguez Peña by

Rodríguez Peña is a Tango written by and composed by Vicente Greco.

Story behind the Tango Rodríguez Peña

The lyrics of “Rodríguez Peña” tell a nostalgic story, set in the backdrop of Buenos Aires. The narrator mourns the passage of time and the changes that have overtaken the beloved neighborhood of Rodríguez Peña. It is a heartfelt reflection on youth, love, and the inevitability of change. The protagonist recalls the “romancesco pasado” (romantic past) and relives the joyful memories of untroubled days spent in that cherished area.

Symbolism of Rodríguez Peña

The tango employs deep symbolism, particularly in its portrayal of Rodríguez Peña as a “rincón” (corner) that embodies youthful joy and reminiscences. The street itself becomes a symbol of the past, where memories are crystalized into shared experiences with friends and loved ones. Phrases like “en el silencio del arrabal” convey solitude and longing through the imagery of the neighborhood. The tango itself is personified, functioning as a vessel for the narrator’s emotions and serving as a bridge to the past, illustrated by the line, “mi tango que se hermana con mi gran sentir.” This connection emphasizes both the personal and cultural significance of the tango as a living archive of emotion.

Rodríguez Peña in Historic Context

Composed in the mid-20th century by Vicente Greco, “Rodríguez Peña” is rooted in the rich cultural history of Buenos Aires—a city known for its vibrant tango scene. Tango, having originated in the late 19th century in the working-class neighborhoods of Buenos Aires, carries with it themes often centered on nostalgia, love, hardship, and social connection. The emergence of tango as a world-renowned music and dance style mirrors the emotional tone of Rodríguez Peña, reflecting Buenos Aires’ transformation over time. This particular piece captures the cultural and social shifts felt in Buenos Aires during the post-war era when many districts, like Rodríguez Peña, faced modernization and change.

Vicente Greco was a significant figure in the early development of tango music in Buenos Aires. He was known for his contributions to the standardization and formalization of tango as a musical genre. His works are celebrated for their emotive depth and connection to Argentine culture.