Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Rodríguez Peña is a Tango written by Juan Velich and composed by Vicente Greco.
The tango Rodríguez Peña illustrates an emotional journey of reminiscence and loss, interwoven with the vibrant memories of youthful exuberance. The speaker, likely a voice from Juan Velich himself, laments the transformation of his beloved neighborhood and the ethereal infusion of the past that it once held. He bids farewell to Rodríguez Peña, a symbol of his blissful youth, mirroring his nostalgia for times and loved ones gone forever.
In this lyrical masterpiece, Rodríquez Peña stands out not just as a street, but as a powerful symbol of lost time and “the tender good” associated with the idealistic days of the past. The “tango de mis glorias” (tango of my glories) and the reference to dancing with his goddess, invoke the cherished moments filled with music, dance, love, and existential joy, symbolizing the quintessence of the golden days. The transformation of Rodríguez Peña epitomizes the inevitable changes life presents, mirroring the alterations in the narrator’s own life.
The tango “Rodríguez Peña” was recorded during an era when Buenos Aires was rapidly modernizing. This change, marking a departure from old traditions and a familiar feel of the city, deeply influences the tone of the song. Released on January 7, 1938, the heartfelt lyrics reflect a combative response to the unstoppable march of time and urban development that has altered the familiar landscape of Rodríguez Peña, which the narrator holds dear. This notion of change serves as an elegy for the simplicity and beauty of the past now overshadowed by progress.
Juan Velich was an influential lyricist in tango history, known for his ability to capture deep emotions and societal shifts of his time through poignant lyrics.