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Retirao (El retirao)

Retirao (El retirao) is a Tango written by Carlos Posadas and recorded by Horacio Salgán in 1956. Horacio Salgán has recorded Retirao (El retirao) as an instrumental Tango.
“Retirao (El retirado)” translates to “Withdrawn (The Withdrawn)” in English. This evocative title suggests an emotional retreat, a step back from the chaos of the world into a reflective solitude. It captures the essence of a tango, where each note whispers the story of yearning hearts seeking solace in the embrace of introspection.

Tango

Style

Horacio Salgán

Orchestra

Instrumental

Singer

Author

Carlos Posadas

Composer

1956/1/1

Date

Instrumental
Instrumental
Horacio Salgán
Horacio Salgán

Discover Other Orchestras

Enrique Francini – Tamborilera – 1956/7/27
Enrique Francini – Retintín – 1977/1/1
Enrique Francini – El choclo – 1970/6/18
Enrique Francini – Melodía oriental – 1970/8/26
Enrique Francini – Petit salón – 1955/11/3
José De Alto (Dir. José Basso) – Nunca tuvo novio – 1959/9/14
José De Alto (Dir. José Basso) – Milonguita (Esthercita) – 1959/9/14
José De Alto (Dir. José Basso) – Yo no sé por qué te quiero – 1959/9/14
José De Alto (Dir. José Basso) – Rosicler – 1959/9/14
Domingo Federico – En la buena y en la mala – 1953/5/27
Domingo Federico – Desde la noche – 1961/1/1
Domingo Federico – Quisiera pedirle a Dios – 1947/1/31
Domingo Federico – Vos y yo corazón – 1965/1/1
Domingo Federico – Ella me dio esta pena – 1944/12/27
Carlos Gardel – Primero yo – 1929/6/20
Carlos Gardel – Del infierno adelante – 1925/1/1
Carlos Gardel – Silencio – 1933/3/27
Carlos Gardel – Criollita decí que si – 1934/7/27
Carlos Gardel – Tengo miedo – 1929/6/28

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Retirao (El retirao) recorded by other Orchestras

Retirao (El retirao) recorded by other Orchestras

1956/1/1 – Adios muchachos – Osvaldo Fresedo
1956/1/1 – Capricho de amor – Osvaldo Fresedo
1956/1/1 – Preludio N°3 – Osvaldo Fresedo
1956/1/1 – Vida mia – Osvaldo Fresedo
1956/1/1 – Milonguero viejo – Lucio Demare
Retirao (El retirao) – 1939/12/11 – Carlos di Sarli – Instrumental
Retirao (El retirao) – 1966/10/17 – Hector Varela – Instrumental
Retirao (El retirao) – 1942/3/17 – Jose Garcia – Instrumental
Retirao (El retirao) – 1956/1/1 – Horacio Salgan – Instrumental

Retirao (El retirao) recorded by Horacio Salgán


Retirao (El retirao) is an instrumental Tango composed by Carlos Posadas.



Interpretation of Retirao (El retirao)

“Retirao (El retirao)” translates to “The Withdrawn” or “The Retired” in English. This instrumental tango piece evokes emotions of nostalgia and introspection. The composition might convey a sense of reflecting on past choices, achievements, and unfulfilled dreams. The melody could start slowly and softly, suggesting a peaceful reminiscence, and gradually intensify to depict moments of doubt or regret. The audience can imagine the protagonist, the “retirao,” reminiscing about a bygone era, filled with youthful vigor and opportunities, now tempered by the calmness and wisdom of retirement.



Horacio Salgán and Retirao (El retirao)

Renowned tango orchestra conductor, Horacio Salgán, breathes life into “Retirao (El retirao)” with his unique interpretation and orchestration. Salgán’s arrangement might enhance the piece’s emotional depth by emphasizing contrasting dynamics and intricate harmonies. The orchestra’s string section could bring a warm, poignant color to the melody, while the bandoneóns contribute a wistful, melancholic undertone, embodying the essence of reflection and introspection that the piece represents. Salgán’s craftsmanship ensures that listeners are drawn into a rich tapestry of sound, resonating with the bittersweet themes woven throughout Posadas’s composition.