Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Retintín is a Tango written by Gabriel Clausi and composed by Eduardo Arolas.
The lyrics of “Retintín” narrate the protagonist’s journey through feelings of love and longing within the traditional Argentine settings of milongas and streets. The protagonist describes himself as a “retintín”, which can be interpreted as someone persistently searching or ringing like a bell, seeking the essence of genuine affection and the “owner of his love”. His quest takes him through vibrant social scenes, symbolizing his intense desire to find his love.
The tango uses rich imagery and symbolism, particularly in its reference to “retintín” which implies a persistent, echoing search. The “campana de arrabal” or bell of the suburbs, symbolizes how the protagonist’s love calls and resonates in the neighborhood, seeking attention and response. The romantic pursuit is painted against backdrops of traditional Argentine Tango scenes, including “Patio bordado de tango” and “lindas minas orilleras,” which evoke the local color and fervor of the nightlife and its emotional landscape.
While the song was recorded in 1977, its themes and setting reflect the nostalgic Argentine culture steeped in the history of Tango, which was deeply ingrained in the society by the early 20th century. This period was marked by a burgeoning Tango culture that encapsulated the emotional and social nuances of the Argentine people. The historical backdrop enriches the emotional tapestry of the tango, illustrating a vivid and historical authenticity in the lyrics, showing a longing not just for love, but perhaps for the golden age of Tango itself.
Gabriel Clausi was a noted Argentine tango musician, renowned for his compositions and performance, contributing richly to the Tango genre.