Fabrice Knecht Tango DJ

Re fa si

Re fa si is a Tango written by Enrique Delfino and recorded by Florindo Sassone in 1973. Florindo Sassone has recorded Re fa si as an instrumental Tango.
“Re fa si,” translating to “D F B” in English, captures the enigmatic essence of shifting notes and emotions. Like a tango of fate, it dances through life’s unpredictable harmonies—each note a step in the complex interplay of destiny. In this musical poem, every chord whispers secrets of longing and fleeting passions, painting the soul’s journey with melody.

Tango

Style

Florindo Sassone

Orchestra

Instrumental

Singer

Author

Enrique Delfino

Composer

1973/1/1

Date

Instrumental
Instrumental
Florindo Sassone
Florindo Sassone

Discover Other Orchestras

Domingo Federico – El simpático – 1950/8/25
Domingo Federico – Mi moro – 1947/7/1
Domingo Federico – Ya no vale la pena – 1965/1/1
Domingo Federico – Requiem para un caudillo – 1961/1/1
Domingo Federico – Charlemos – 1956/6/29
Héctor Varela – Del salón en el ángulo oscuro – 1973/1/1
Héctor Varela – El irresistible – 1960/6/8
Héctor Varela – El rápido – 1950/12/4
Héctor Varela – En un sueño te perdí – 1974/1/1
Héctor Varela – Marinera – 1958/8/14
Osvaldo Fresedo – Naipe marcado – 1961/9/3
Osvaldo Fresedo – Adios para siempre – 1936/12/7
Osvaldo Fresedo – Sombra de humo – 1951/11/21
Osvaldo Fresedo – Vida mía – 1956/1/1
Osvaldo Fresedo – Volverás (2) – 1939/3/10
Ricardo Malerba – Oiga mozo – 1942/11/19
Ricardo Malerba – Amor con amor se paga – 1944/6/30
Ricardo Malerba – A bailar – 1943/11/8
Ricardo Malerba – Ninguna – 1942/11/19
Ricardo Malerba – Mi taza de café – 1943/11/8

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Re fa si recorded by other Orchestras

Re fa si recorded by other Orchestras

1973/1/1 – Royal Pigall (Que has hecho de mi carino) – Hector Varela
1973/1/1 – Fueron tres anos – Hector Varela
1973/1/1 – Y te parece todavia – Hector Varela
1973/1/1 – Con flauta y guitarra – Hector Varela
1973/1/1 – Asi bailaban mis abuelos – Hector Varela
Re fa si – 1953/8/14 – Carlos di Sarli – Instrumental
Re fa si – 1935/3/10 – Juan D-Arienzo – Instrumental
Re fa si – 1972/12/14 – Juan D-Arienzo – Instrumental
Re fa si – 1928/4/3 – Osvaldo Fresedo – Instrumental
Re fa si – 1959/5/7 – Osvaldo Fresedo – Instrumental
Re fa si – 1940/12/26 – Rodolfo Biagi – Instrumental
Re fa si – 1959/11/13 – Alfredo De Angelis –
Re fa si – 1955/9/16 – Jose Basso – Instrumental
Re fa si – 1970/1/1 – Jose Basso –
Re fa si – 1973/1/1 – Florindo Sassone – Instrumental
Re fa si – 1927/6/15 – Orquesta Tipica Victor – Instrumental

Re fa si recorded by Florindo Sassone


Re fa si is an instrumental Tango composed by Enrique Delfino.



Interpretation of Re fa si

The name “Re fa si” in musical terms translates to the notes D, F, and B in the English notation system. These notes form an intriguing harmonic sequence, suggesting a complex interplay of emotions and musical ideas. Perhaps, the piece explores a journey through tension and resolution, with D representing a foundation, F introducing an element of surprise, and B triggering resolution or anticipation towards new musical phrases.



In the hands of Florindo Sassone’s orchestra, “Re fa si” might be interpreted as a vibrant tango that dances between moments of passionate enthusiasm and melancholic reflection. Each note, from the robust strings to the soulful bandoneón, adds to the layers of expression that Delfino’s composition aims to convey.



Florindo Sassone and Re fa si

Florindo Sassone, known for his meticulous and emotive interpretations of tango, brings “Re fa si” to life with his orchestra. The ensemble’s robust sound captures the dynamic range of the notes, seamlessly transitioning between the compelling rhythms and luscious melodies that make tango so captivating.



With Sassone’s skilled direction, “Re fa si” stands out as a testament to both Enrique Delfino’s compositional prowess and the enduring legacy of tango as an emotional and evocative musical form, able to convey complex narratives without a single spoken word.