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Re fa si

Re fa si is a Tango written by and recorded by Juan D’Arienzo in 1972. Juan D’Arienzo has recorded Re fa si as an instrumental Tango.
“Re fa si” translates to “D F B” in English, reflecting the notes of a musical scale. This melodious dance, perhaps a tango, weaves a story with each note, suggesting an intricate interplay of harmony and tension. The piece embodies the essence of longing and passion, as each chord progression invites the listener into its emotional embrace.

Tango

Style

Juan D'Arienzo

Orchestra

Instrumental

Singer

Author

Composer

1972/12/14

Date

Instrumental
Instrumental
Juan D'Arienzo
Juan D’Arienzo

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Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Re fa si recorded by other Orchestras

Re fa si recorded by other Orchestras

1972/12/14 – El bar de Rosendo – Juan D-Arienzo
1972/12/14 – Y porque no – Juan D-Arienzo
1972/12/14 – Llamame amor mio – Juan D-Arienzo
1972/12/14 – Mi vida yo la reviento – Juan D-Arienzo
1972/12/14 – Senor del compas – Juan D-Arienzo
Re fa si – 1953/8/14 – Carlos di Sarli – Instrumental
Re fa si – 1935/3/10 – Juan D-Arienzo – Instrumental
Re fa si – 1972/12/14 – Juan D-Arienzo – Instrumental
Re fa si – 1928/4/3 – Osvaldo Fresedo – Instrumental
Re fa si – 1959/5/7 – Osvaldo Fresedo – Instrumental
Re fa si – 1940/12/26 – Rodolfo Biagi – Instrumental
Re fa si – 1959/11/13 – Alfredo De Angelis –
Re fa si – 1955/9/16 – Jose Basso – Instrumental
Re fa si – 1970/1/1 – Jose Basso –
Re fa si – 1973/1/1 – Florindo Sassone – Instrumental
Re fa si – 1927/6/15 – Orquesta Tipica Victor – Instrumental

Re fa si recorded by Juan D’Arienzo

Re fa si is an instrumental Tango composed by .

Interpretation of Re fa si

The title “Re fa si” refers to the musical notes D, F, and B (in solfège) and can be seen as an intriguing choice for a tango piece. Imagine this piece beginning with a vibrant energy typical of Juan D’Arienzo’s style, where the initial notes “Re fa si” play a significant motif throughout. The piece could open with a robust piano introduction that sets a lively pace—perhaps with violins and bandoneons echoing the opening notes, creating a rhythm that dances playfully.

As the composition develops, the melody might explore emotional depth, with the distinct timbre of violins soaring and intertwining, embodying both longing and passion. The characteristic staccato rhythms bring out the dance’s heartbeat, inviting dancers to move with precision and spirit. The middle section could potentially introduce a more reflective theme, where the bandoneons provide a mournful echo, before the full orchestra builds back up to the vibrant and pulsating rhythms that encapsulate the fierce and unmistakable energy of D’Arienzo’s orchestra, culminating in a grand and decisive finale.

Juan D’Arienzo and Re fa si

Orquesta Juan D’Arienzo, famously known for its upbeat and rhythmic precision, breathes life into “Re fa si” with its hallmark drive and vivid execution. Known as “El Rey del Compás” (The King of the Beat), D’Arienzo interprets “Re fa si” with a spirited arrangement that captures the grandeur and vivacity inherent in tango music. His interpretation would likely emphasize the driving beats, intoxicating cadences, and intricate orchestrations that are hallmarks of his celebrated style, ensuring “Re fa si” stands as a memorable piece in the rich tapestry of tango history.