Fabrice Knecht Tango DJ

Re fa si

Re fa si is a Tango written by Enrique Delfino and recorded by Osvaldo Fresedo in 1959. Osvaldo Fresedo has recorded Re fa si as an instrumental Tango.
The piece “Re fa si,” or “D Re B,” resonates with an enigmatic melody, each note a puzzling step in a dance of feelings. The name itself hints at a journey – “Re” for reflection, “fa” for fate, and “si” a whisper of silent longing. Together, they weave a tango that speaks of introspection, destiny, and unsaid desires.

Tango

Style

Osvaldo Fresedo

Orchestra

Instrumental

Singer

Author

Enrique Delfino

Composer

1959/5/7

Date

Instrumental
Instrumental
Osvaldo Fresedo
Osvaldo Fresedo

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Ricardo Malerba – Quejas de Montmartre – 1956/3/16
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Enrique Rodríguez – Tengo mil novias – 1939/10/10
Enrique Rodríguez – Este es tu tango – 1945/11/29
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Enrique Rodríguez – El rápido – 1954/3/27

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Re fa si recorded by other Orchestras

Re fa si recorded by other Orchestras

1959/5/7 – Es mejor olvidar – Osvaldo Fresedo
1959/5/4 – Amor de resero – Alfredo De Angelis
1959/5/4 – El piropo – Alfredo De Angelis
1959/4/29 – Gaucha – Hector Varela
1959/4/29 – Y porque te quiero tanto – Hector Varela
Re fa si – 1953/8/14 – Carlos di Sarli – Instrumental
Re fa si – 1935/3/10 – Juan D-Arienzo – Instrumental
Re fa si – 1972/12/14 – Juan D-Arienzo – Instrumental
Re fa si – 1928/4/3 – Osvaldo Fresedo – Instrumental
Re fa si – 1959/5/7 – Osvaldo Fresedo – Instrumental
Re fa si – 1940/12/26 – Rodolfo Biagi – Instrumental
Re fa si – 1959/11/13 – Alfredo De Angelis –
Re fa si – 1955/9/16 – Jose Basso – Instrumental
Re fa si – 1970/1/1 – Jose Basso –
Re fa si – 1973/1/1 – Florindo Sassone – Instrumental
Re fa si – 1927/6/15 – Orquesta Tipica Victor – Instrumental

Re fa si recorded by Osvaldo Fresedo


Re fa si is an instrumental Tango composed by Enrique Delfino.



Interpretation of Re fa si

“Re fa si” translates from musical note names to: “D, F, B”, suggesting a journey of sound that moves seamlessly through these notes. The piece might begin with a gentle, melodic introduction, capturing the listener’s attention with its harmonious chords. As the tango progresses, the interplay of piano, bandoneón, and strings would create dynamic contrasts, reflecting the emotional depth and intricate rhythms typical of tangos. The title, playing on musical notation, suggests a cleverly structured composition, where each section smoothly transitions into the next, leaving an indelible impression of both elegance and passion.



Osvaldo Fresedo and Re fa si

Osvaldo Fresedo, known for his refined and sophisticated style, would impart a unique character to this piece. His orchestra, renowned for its lush arrangements and polished performances, would likely highlight the nuanced phrasing and emotional richness that “Re fa si” embodies. Expect a masterful rendition that balances the energetic and melancholic motifs intrinsic to tango music, thus offering both a tribute to Delfino’s composition and a fresh interpretation, enriched by Fresedo’s signature elegance and emotive strength.