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Re fa si

Re fa si is a Tango written by Enrique Delfino and recorded by Alfredo De Angelis in 1959. The Tango Re fa si is written by Enrique Delfino, Alfredo De Angelis has recorded Re fa si with the singer .
“Re fa si,” translated from Spanish, means “D Re B” in English, referring to musical notes. In this melodic dance, the notes weave a tapestry of longing and unspoken desires, capturing the essence of a fleeting moment. Each note whispers secrets of a heart’s silent journey, where hesitation meets harmony and the unknown dances through the soul’s symphony.

Tango

Style

Alfredo De Angelis

Orchestra

Singer

Author

Enrique Delfino

Composer

1959/11/13

Date

Alfredo De Angelis
Alfredo De Angelis

Discover Other Orchestras

Orquesta Típica Victor – Una vez (2) – 1943/8/9
Orquesta Típica Victor – No arrebaten que hay pa todos – 1932/7/26
Orquesta Típica Victor – Haceme caso a mí – 1928/4/9
Orquesta Típica Victor – No miento – 1928/11/21
Orquesta Típica Victor – Humillación (2) – 1932/9/2
Carlos Gardel – Mi bien querido – 1922/1/1
Carlos Gardel – A medianoche – 1926/1/1
Carlos Gardel – Copetín vos sos mi hermano – 1927/10/22
Carlos Gardel – Araca la cana – 1933/6/12
Carlos Gardel – Amargura (El floridense) – 1917/1/1
Julio De Caro – Potpourri federal – 1935/7/18
Julio De Caro – Chiclana – 1950/9/11
Julio De Caro – Ay Elena – 1941/1/1
Julio De Caro – Flores negras – 1942/1/1
Julio De Caro – Puede ser – 1935/5/17
Aníbal Troilo – Sólo se quiere una vez – 1946/9/25
Aníbal Troilo – Temblando – 1944/3/30
Aníbal Troilo – Así es Ninón – 1946/9/25
Aníbal Troilo – Los mareados – 1942/6/15
Aníbal Troilo – Sombras nada mas – 1966/4/1

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Re fa si recorded by other Orchestras

Re fa si recorded by other Orchestras

1959/11/13 – Amarrete – Alfredo De Angelis
1959/11/12 – Por que te sigo queriendo – Juan D-Arienzo
1959/11/12 – Judas – Juan D-Arienzo
1959/11/12 – Por la vuelta – Juan D-Arienzo
1959/11/12 – Rie payaso – Juan D-Arienzo
Re fa si – 1953/8/14 – Carlos di Sarli – Instrumental
Re fa si – 1935/3/10 – Juan D-Arienzo – Instrumental
Re fa si – 1972/12/14 – Juan D-Arienzo – Instrumental
Re fa si – 1928/4/3 – Osvaldo Fresedo – Instrumental
Re fa si – 1959/5/7 – Osvaldo Fresedo – Instrumental
Re fa si – 1940/12/26 – Rodolfo Biagi – Instrumental
Re fa si – 1959/11/13 – Alfredo De Angelis –
Re fa si – 1955/9/16 – Jose Basso – Instrumental
Re fa si – 1970/1/1 – Jose Basso –
Re fa si – 1973/1/1 – Florindo Sassone – Instrumental
Re fa si – 1927/6/15 – Orquesta Tipica Victor – Instrumental

Lyrics Translation of the Tango Re fa si

This is the translation of the Tango “Re fa si” from Spanish to English. The English lyrics of the Tango “Re fa si” have been done with AI.

Re fa si recorded by Alfredo De Angelis


Re fa si is an instrumental Tango composed by Enrique Delfino.



Interpretation of Re fa si


The name “Re fa si” directly translates to musical notes D, F, and B, which are likely the core notes forming a motif or theme within the composition. This sequence can evoke various moods and emotions depending on its arrangement, progression, and the way it interplays with other notes and structures within the piece. Enrique Delfino, known for his robust contributions to the Tango genre, might use these notes to construct a distinct melodic line that could reflect the intertwining of traditional tango rhythms with innovative harmonies. The choice of these notes could suggest a playful, yet sophisticated exploration of melody, given their positioning in the musical scale. The composition, instrumentally delivered, likely emphasizes the dynamics, with vibrant string sections and accordion leading, typical to the tango style—a dance both expressive and emotionally evocative, inviting listeners and dancers alike to experience its rhythm deeply.

Alfredo De Angelis and Re fa si


Alfredo De Angelis, a renowned tango orchestra leader, brings an additional layer of emotion and rhythm to “Re fa si” with his distinct orchestral approach. Under his direction, “Re fa si” likely embodies a refined orchestration, showcasing the technical mastery and emotive depth of his ensemble. De Angelis is known for balancing traditional tango forms with a modern sensibility, which might be reflected in how the notes “Re fa si” are interpreted, possibly with lush violins, piano interludes, and a commanding bandoneon that brings both softness and intensity to the piece. His version would typically be tailored to take full advantage of his orchestra’s capabilities, delivering a rendition of Delfino’s work that would be both true to its compositional roots and enhanced through De Angelis’s distinctive operational style and emotional nuance.