Fabrice Knecht Tango DJ

Re fa si

Re fa si is a Tango written by Enrique Delfino and recorded by Carlos di Sarli in 1953. Carlos di Sarli has recorded Re fa si as an instrumental Tango.
“Re Fa Si,” translated into English means “D Major B.” This trio of notes forms a harmonious blend, resonating like whispered promises in the air. In the tango’s embrace, “Re Fa Si” captures the dance of longing and desire, where each note steps forward, creating an intricate pattern of love and mystery.

Tango

Style

Carlos di Sarli

Orchestra

Instrumental

Singer

Author

Enrique Delfino

Composer

1953/8/14

Date

Instrumental
Instrumental
Carlos di Sarli
Carlos di Sarli

Discover Other Orchestras

Alfredo De Angelis – No culpes al amor – 1958/4/7
Alfredo De Angelis – Viejo rincón – 1953/4/14
Alfredo De Angelis – A la criolla – 1961/8/15
Alfredo De Angelis – Ya estamos iguales – 1964/5/1
Alfredo De Angelis – Mañanita linda – 1953/7/3
Aníbal Troilo – Tango y copas – 1943/4/5
Aníbal Troilo – Prepárense – (unknown date)
Aníbal Troilo – Contratiempo – (unknown date)
Aníbal Troilo – Lo que vos te merecés – 1957/7/10
Aníbal Troilo – Color tango – 1965/9/20
Francisco Rotundo – Agüelita qué hora son – 1949/5/23
Francisco Rotundo – Destino de flor – 1957/6/6
Francisco Rotundo – Viejo smoking – 1949/1/1
Francisco Rotundo – Lo siento en el alma – 1954/9/17
Francisco Rotundo – Al pie de la Santa Cruz – 1949/1/1
Ricardo Tanturi – Quién canta mejor que yo – 1944/1/21
Ricardo Tanturi – Que podran decir – 1943/3/2
Ricardo Tanturi – El Tango es el Tango – 1942/8/14
Ricardo Tanturi – Así se baila el tango – 1942/12/4
Ricardo Tanturi – Bien criolla y bien porteña – 1945/7/13

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Re fa si recorded by other Orchestras

Re fa si recorded by other Orchestras

1953/8/14 – Dinero dinero – Carlos di Sarli
1953/8/14 – Dejame hablar – Carlos di Sarli
1953/8/14 – El jaguel – Carlos di Sarli
1953/8/13 – Toma estas monedas – Juan D-Arienzo
1953/8/13 – Mucho mucho – Juan D-Arienzo
Re fa si – 1953/8/14 – Carlos di Sarli – Instrumental
Re fa si – 1935/3/10 – Juan D-Arienzo – Instrumental
Re fa si – 1972/12/14 – Juan D-Arienzo – Instrumental
Re fa si – 1928/4/3 – Osvaldo Fresedo – Instrumental
Re fa si – 1959/5/7 – Osvaldo Fresedo – Instrumental
Re fa si – 1940/12/26 – Rodolfo Biagi – Instrumental
Re fa si – 1959/11/13 – Alfredo De Angelis –
Re fa si – 1955/9/16 – Jose Basso – Instrumental
Re fa si – 1970/1/1 – Jose Basso –
Re fa si – 1973/1/1 – Florindo Sassone – Instrumental
Re fa si – 1927/6/15 – Orquesta Tipica Victor – Instrumental

Re fa si recorded by Carlos di Sarli

Re fa si is an instrumental Tango composed by Enrique Delfino.

Interpretation of Re fa si

“Re fa si” can be translated to English as “D F B,” which are the names of musical notes in the fixed-do solfège system. This title may suggest a central motif or melodic line based on these notes, serving as a foundation for the piece. Delfino’s composition likely plays with this motif, exploring its possibilities and variations, and allowing it to emerge as a prominent theme throughout the tango.

The piece might open with a delicate interplay of strings introducing the “D F B” motif, unfolding in an intricate interplay of harmony and rhythm. As the piece progresses, the orchestra likely builds layers upon this motif, creating a tapestry of sound that evolves in complexity and intensity, reflecting the emotional depth and nuances characteristic of tango music.

Carlos di Sarli and Re fa si

Carlos di Sarli, known for his smooth and elegant style, would approach “Re fa si” with his signature sophistication. His orchestra, renowned for its lush arrangements and charismatic interpretations, would give life to Delfino’s composition, highlighting its melodic lines with precision and warmth.

The strings might provide a rich, sweeping backdrop, while the bandoneón introduces playful, emotive phrases, all the while maintaining the rhythmic pulse so essential to di Sarli’s interpretations. The performance would likely encapsulate the elegance and passion of tango, bringing “Re fa si” alive in a way that resonates with both dancers and listeners.