Fabrice Knecht Tango DJ

Re fa si

Re fa si is a Tango written by Enrique Delfino and recorded by Rodolfo Biagi in 1940. Rodolfo Biagi has recorded Re fa si as an instrumental Tango.
In Spanish, “Re fa si” translates to “D F B” in English, which are musical notes forming a haunting harmony. This piece, much like a Tango, dances with the shadows of longing and mystery, each note weaving a story of anticipation and bittersweet passion. As the music unfolds, it invites listeners to explore the complex tapestry of emotions hidden within its elegant cadence.

Tango

Style

Rodolfo Biagi

Orchestra

Instrumental

Singer

Author

Enrique Delfino

Composer

1940/12/26

Date

Instrumental
Instrumental
Rodolfo Biagi
Rodolfo Biagi

Discover Other Orchestras

Domingo Federico – El mayoral – 1946/4/24
Domingo Federico – Y así nació este tango – 1944/9/12
Domingo Federico – Musica en tu corazon – 1946/4/24
Domingo Federico – Tango del querer – 1945/9/6
Domingo Federico – Selecciones de Carlos Gardel 1 – 1946/1/4
Enrique Francini – Bailemos – 1955/12/13
Enrique Francini – Qué me importa tu pasado – 1958/3/14
Enrique Francini – El choclo – 1970/6/18
Enrique Francini – Inspiración – 1970/8/27
Enrique Francini – A media luz – 1977/1/1
Astor Piazzolla – Color de rosa – 1945/11/23
Astor Piazzolla – Tangology – 1957/1/1
Astor Piazzolla – Lumière 1
Solitude – 1976/1/1
Astor Piazzolla – Nonino – 1955/1/1
Astor Piazzolla – Suite Troileana 4
Escolaso – 1976/1/1
Roberto Firpo – Volver a querer – 1938/8/25
Roberto Firpo – Recordándote (3) – 1928/12/5
Roberto Firpo – Para vigo me voy – 1936/12/23
Roberto Firpo – El cencerro – 1927/7/26
Roberto Firpo – Yo te bendigo – 1927/7/26

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Re fa si recorded by other Orchestras

Re fa si recorded by other Orchestras

1940/12/26 – Yo tambien – Rodolfo Biagi
1940/12/31 – Quasi nada – Juan D-Arienzo
1940/12/31 – Miedo – Juan D-Arienzo
1941/1/1 – Ay Elena – Julio De Caro
1941/1/1 – Copacabana (Nido de amor) – Julio De Caro
Re fa si – 1953/8/14 – Carlos di Sarli – Instrumental
Re fa si – 1935/3/10 – Juan D-Arienzo – Instrumental
Re fa si – 1972/12/14 – Juan D-Arienzo – Instrumental
Re fa si – 1928/4/3 – Osvaldo Fresedo – Instrumental
Re fa si – 1959/5/7 – Osvaldo Fresedo – Instrumental
Re fa si – 1940/12/26 – Rodolfo Biagi – Instrumental
Re fa si – 1959/11/13 – Alfredo De Angelis –
Re fa si – 1955/9/16 – Jose Basso – Instrumental
Re fa si – 1970/1/1 – Jose Basso –
Re fa si – 1973/1/1 – Florindo Sassone – Instrumental
Re fa si – 1927/6/15 – Orquesta Tipica Victor – Instrumental
At dawn, with sadness,
I saw the one who died leave,
dressed in shadows and memories,
walking, looking for a new heart.

Walking dreaming in a painful past,
through the streets of oblivion I go,
dragging in the night my eternal grief
that bequeathed me your cruel love.

Your cruel love and false caress
that just as they arrived, disappeared,
and now that I have crossed the threshold
I know that all of you was a lie.

For the blood and life I gave you,
for that intense dream of loving you,
I have nothing but an empty hole
and in the depths, oblivion and nothing more.

Re fa si by Enrique Delfino

Re fa si is a Tango written by Enrique Delfino, recorded in Argentina on December 26, 1940.



Story behind the Tango Re fa si

The central themes of “Re fa si” revolve around the feelings of nostalgia, loss, and the melancholic clinging to memories. These themes are prevalent in tango music, reflecting the broader emotional states experienced by many Argentinians in the early 20th century. The song speaks directly to the soul of the listener, using the music as a vehicle to convey a deep sense of longing and unrequited love.



Symbolism of Re fa si

One might interpret “Re fa si” not just as musical notes but as symbolic markers in a narrative of emotional highs and lows. Such notes could represent moments or turning points in the singer’s life, reaffirming how deeply music and memory are intertwined in the realm of tango. The choice of these specific notes might suggest a particular melody that evokes poignant memories, thus enhancing the song’s emotional impact through its poetics.



Re fa si in Historical Context

Recorded in 1940, during a tumultuous period in both Argentine and global history, “Re fa si” reflects the broader societal feelings of uncertainty and change. The era was marked by the aftereffects of the Great Depression and the growing tensions leading to World War II. In Argentina, this period was also one of significant political and social shifts, which influenced cultural expressions, including music. Tango often captured the common person’s struggles and emotions, serving as a reflective surface for the societal changes and the personal impacts of such a historical context.



Enrique Delfino

Enrique Delfino was a prominent Argentine composer and pianist known for his significant contributions to the tango genre. His works are celebrated for their complexity and emotional depth.