Re fa si recorded by Osvaldo Fresedo

Re fa si is an instrumental Tango composed by Enrique Delfino.

Interpretation of Re fa si

“Re fa si” takes its name from the musical notes D, F, and B, which are referred to as “Re,” “Fa,” and “Si” in solfège. The piece weaves its narrative through these notes, forming a foundational motif that dictates its melodic progression and emotional contour. The composition might begin with a subtle, inviting introduction where these notes are introduced in a gentle cascade from the string section. This creates a whisper of anticipation and a sense of longing as the notes intertwine to form complex harmonies.

As the orchestra progresses, the bandoneón could emerge, heightening the signature tango sound with its rich, emotive timbre. The interplay of rhythm and melody crafts a mesmerizing dance, with “Re fa si” notes subtly woven in to create moments of tension and release. There is an underlying current of melancholic reflection, a musical nod to the poignancy often imbued in tango pieces, evoking images of smoky, dim-lit dance halls and passionate embraces.

Osvaldo Fresedo and Re fa si

Osvaldo Fresedo, renowned as “El Pibe de La Paternal,” was instrumental in refining and popularizing tango music in the early 20th century. Known for his sophisticated and elegant orchestra arrangements, Fresedo offers a rendition of “Re fa si” that highlights his unique musical style. His orchestra, with its full-bodied sound, breathes life into Delfino’s composition, capturing the subtleties and the emotional intensities inherent in the music.

In Fresedo’s recording, you can expect polished execution where each instrument dialogues beautifully, creating a vivid emotional landscape. From the poignant whispers of the violins to the commanding presence of the piano and the passionate cry of the bandoneón, the orchestra interprets “Re fa si” as a conversation between loss and hope. Through Fresedo’s artistry, the piece not only becomes a journey through the dynamic spectrum of tango but also a timeless expression of the human experience.