Fabrice Knecht Tango DJ
Style
Orchestra
Singer
Author
Composer
Date
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Quiero huir de mí is a Tango written by Roberto Cantoral and composed by Manuel Sucher.
The lyrics of “Quiero huir de mí” convey a deep emotional turmoil and a desire to escape oneself. The author, Roberto Cantoral, expresses an intimate struggle with grief and disillusionment, stemming from unrequited love and emotional abandonment. The poetic voice narrates the heavy burden of emotional pain “regado por el mundo” (spread throughout the world) and describes life as a profound abyss “en un abismo tan profundo”. This stark imagery establishes a somber tone, reflecting a profound sense of isolation and despair.
Several symbolic elements enhance the depth and meaning of the lyrics. The phrase “Quiero huir de mí mismo” symbolizes an intense desire to escape one’s own reality, highlighting the internal conflict and the pain of self-awareness. “Vivir sin tu cariño, vida mía” and the decision that this fate is “más terrible que la muerte,” suggest that existing without the loved one’s affection is worse than death itself—indicating the magnitude of their influence. Furthermore, the repulsion “siento alergia a la carne de otros seres” portrays a dramatic rejection of any substitute for the beloved, reinforcing the themes of loyalty and the unique nature of a profound but unreciprocated love.
“Quiero huir de mí” was composed and released in an era when Tango music often mirrored sentiments of longing, melancholic love, and socio-cultural expressions specific to Argentina in the 1960s. Tango was not only a dance form but also a musical expression of the introspective and often troubled spirits of the Argentinean populace. During this period, tango lyrics frequently depicted themes of despair, nostalgia, and the trials of love, traits that are prominently displayed in Cantoral’s lyrical choices. The historical backdrop intensifies the emotional gravity of the piece, as it touches the soul of an audience already familiar with such existential and romantic woes.
Roberto Cantoral was a prominent Latin American composer known for his significant contributions to Spanish-language music, particularly in genres like Bolero and Tango.