Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Quién lo habría de pensar is a Tango written by an anonymous author and composed by Roberto Rufino.
“Quién lo habría de pensar” delves into the paradoxical nature of love and hate, revealing the unexpected pain that arises from harboring negative emotions. The narrator reflects on their personal journey, expressing astonishment at the realization that hating can bring greater suffering than the pain caused by love. This tango captures the emotional turmoil of reconciling past regrets and the haunting memories of a lost love that resurface stronger when attempting to forget.
The lyrics are rich with symbolism, conveying deep emotional conflicts. Phrases like “amor crucificado en el fuego del deseo” symbolize a painful love consumed by passion, evoking imagery of betrayal and intense longing. The recurring phrase “quién lo habría de pensar,” serves as a rhetorical lament, underscoring the unexpected and ironic twist of suffering more from hatred than love. The mention of “ese amor crucificado” suggests a love that is both sacred and doomed, intensifying the emotional depth of the piece.
Created in Buenos Aires, Argentina, in 1963, the tango reflects the emotions and cultural backdrop of its time. This was a period characterized by political instability and social change in Argentina, where tango served as a poignant reflection of personal and collective struggles. The themes of love, regret, and nostalgia resonate with the Argentine experience of searching for identity amidst external and internal conflicts, making the tango a powerful cultural expression.
Roberto Rufino was an influential Argentine tango singer and composer, renowned for his emotive performances and contributions to the genre during the golden age of tango.