Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Quemá esas cartas is a Tango written by Juan Pedro López and composed by Alberto Cosentino.
The song “Quemá esas cartas” translates to “Burn Those Letters” in English, telling the poignant tale of a man asking someone to destroy the letters that chronicle his immense suffering and ill fate. The narrator wants to keep his deep love and the pain from it hidden from the world, with only God being aware of his true feelings. The lyrics unveil the torment and disillusionment of a man who feels betrayed and whose hopes and dreams have been dashed by unrequited love.
The burning of letters in the song serves as a potent symbol of trying to erase the past and the pain associated with it. The recurring theme of concealment and secrecy—”Que nadie sepa que te quise tanto,” meaning “Let no one know I loved you so much”—highlights the shame and despair that often accompanies unreciprocated feelings. The letters themselves symbolize a tangible reminder of what was once a profound love, now transformed into a source of agony. Moreover, terms like “un hombre bueno, que muriendo va” (a good man who is dying) emphasize the depth of emotional devastation experienced by the protagonist.
Recorded in 1965 in Argentina, “Quemá esas cartas” emerged during a period marked by social and political tumult. The tango, as a genre, often mirrored the melancholic sentiments of the Argentine populace during times of hardship. This historical backdrop could enrich the song’s themes of despair and disillusionment, reflecting a broader societal sentiment of loss and nostalgia. The emphasis on personal turmoil and societal expectations in the tango could also reflect the conservative nature of relationships and the stigma surrounding failed romantic engagements during that time.
Juan Pedro López was an Argentine lyricist known for his contributions to the genre of tango, often weaving tales of personal heartache and broader societal issues into his works.