Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Quema esas cartas (2) is a Tango written by Manuel Romero and composed by Raúl de los Hoyos.
The tango “Quema esas cartas (2)” paints a poignant narrative of a former charmer whose youth and vitality once afforded him numerous romantic adventures. As the lyrics unfold, they reveal a man who, in his prime, was dismissive of the letters from his sincere lovers, literally throwing them into the fire. This cavalier attitude towards his romantic correspondences matches his playful and carefree persona. However, as time passes and his vigor fades, the same man, now aged and alone, finds himself revisiting these forgotten letters and mourning the loss of his youth and the lovers he once spurned.
The recurring act of burning letters deeply symbolizes rejecting the past and its emotions. Initially, the act is displayed as a careless game—burning letters as a trivial dismissal of the past loves. The letters symbolize not only past relationships but also a deeper connection and possibly remorse which the protagonist chooses to ignore initially. However, the stark contrast in the later stage of his life shows him regretting and mourning the loss, which implies that the past, once discarded so thoughtlessly, becomes a source of grief and a stark reminder of his faded youth and lost opportunities.
“Quema esas cartas (2)” emerged in 1928, a time when tango was a profound expression of the emotional and social currents in Argentina. The portrayal of a man reflecting on his life’s choices mirrors the period’s broader societal shifts, including reflections on personal and collective memories. Tango often captured the emotional complexities of urban life and personal relationships, and this song aligns well with those themes, using the powerful act of burning letters to symbolize the broader, sometimes painful, rejection of the past in exchange for the pressing realities of the present.
Manuel Romero was a notable Argentine writer known for his impact in the tango scene, crafting lyrics that often portrayed deep emotional and social nuances.
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