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Quejas de bandoneón

Quejas de bandoneón is a Tango written by Juan de Dios Filiberto and recorded by Juan D’Arienzo in 1963. Juan D’Arienzo has recorded Quejas de bandoneón as an instrumental Tango.
“Quejas de bandoneón,” which translates to “Complaints of the Bandoneón,” encapsulates the soul’s whispered laments through its melancholy melody. The bandoneón weeps with longing and nostalgia, its voice a tapestry of sorrowful sighs and unspoken desires. Each note is a solitary tear, cascading in a dance of perennial yearning and passion.

Tango

Style

Juan D'Arienzo

Orchestra

Instrumental

Singer

Author

Juan de Dios Filiberto

Composer

1963/9/2

Date

Instrumental
Instrumental
Juan D'Arienzo
Juan D’Arienzo

Discover Other Orchestras

Osvaldo Pugliese – Con voz rebelde – 1966/6/1
Osvaldo Pugliese – Baldosa floja – 1961/7/1
Osvaldo Pugliese – Canzoneta – 1954/10/29
Osvaldo Pugliese – El motivo (Pobre paica) – 1966/6/1
Osvaldo Pugliese – El pañuelito – 1959/7/23
Francini-Pontier – La yumba – 1947/3/5
Francini-Pontier – El retoque – 1952/12/12
Francini-Pontier – Viejo smoking – 1952/12/12
Francini-Pontier – Seleccion de valses – 1952/6/17
Francini-Pontier – Discepolín – 1951/5/11
Orquesta Símbolo Osmar Maderna – Aquellas cartas – 1959/7/8
Orquesta Símbolo Osmar Maderna – Brindis para la navidad – 1960/10/14
Orquesta Símbolo Osmar Maderna – Canción de lluvia – 1959/7/8
Orquesta Símbolo Osmar Maderna – No no llores más – 1959/6/17
Orquesta Símbolo Osmar Maderna – Papá Baltasar – 1960/10/14
José De Alto (Dir. José Basso) – Yo no sé por qué te quiero – 1959/9/14
José De Alto (Dir. José Basso) – Milonguita (Esthercita) – 1959/9/14
José De Alto (Dir. José Basso) – Rosicler – 1959/9/14
José De Alto (Dir. José Basso) – Nunca tuvo novio – 1959/9/14

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Quejas de bandoneón recorded by other Orchestras

Quejas de bandoneón recorded by other Orchestras

1963/9/2 – No nos veremos mas (2) – Juan D-Arienzo
1963/8/30 – Loco por ti – Alfredo De Angelis
1963/8/26 – El panuelito – Juan D-Arienzo
1963/9/9 – Companero – Juan D-Arienzo
1963/8/22 – Errante vagabundo – Florindo Sassone
Quejas de bandoneon – 1953/10/30 – Carlos di Sarli – Instrumental
Quejas de bandoneon – 1963/9/2 – Juan D-Arienzo – Instrumental
Quejas de bandoneon – 1977/6/14 – Osvaldo Pugliese – Instrumental
Quejas de bandoneon – 1952/6/25 – Pedro Laurenz – Instrumental
Quejas de bandoneon – 1941/10/7 – Rodolfo Biagi – Instrumental
Quejas de bandoneon – 1970/1/1 – Jose Basso –
Quejas de bandoneon – 1973/1/1 – Florindo Sassone – Instrumental
Quejas de bandoneon – 1947/8/21 – Astor Piazzolla – Instrumental
Quejas de bandoneon – 1928/12/21 – Roberto Firpo – Instrumental
Quejas de bandoneon – 1968/8/20 – Domingo Federico – Instrumental
Quejas de bandoneon – 1927/1/1 – Julio De Caro – Instrumental

Quejas de bandoneón recorded by Juan D’Arienzo

Quejas de bandoneón is an instrumental Tango composed by Juan de Dios Filiberto.

Interpretation of Quejas de bandoneón

“Quejas de bandoneón,” translated to English as “Complaints of the Bandoneon,” is an evocative tango that seeks to convey the emotional depth and longing inherent in the instrument’s voice. The piece is characterized by its melancholic undertones and expressive melodies, capturing the listener with the soulful “cries” and “complaints” of the bandoneon, a key instrument in tango music. Juan de Dios Filiberto’s composition involves intricate, lyrical passages that reflect the heartache and nostalgia often associated with tango, enveloping the audience in a profound auditory experience that resonates with the inner struggles and stories told through the music.

Juan D’Arienzo and Quejas de bandoneón

The Juan D’Arienzo Orchestra, renowned for its dynamic and powerful approach to tango, brings “Quejas de bandoneón” to life with an energetic and rhythmic precision that complements the intricate melodies of the piece. D’Arienzo, known as the “King of the Beat,” infuses the performance with a lively drive and distinctive phrasing, emphasizing the rhythmic pulse that underlines the piece while maintaining the soulful expression of the bandoneon’s “complaints.” Through his interpretation, D’Arienzo enhances the emotional depth of Filiberto’s composition, delivering a rendition that captures both the passion and poignancy of the music, creating an unforgettable tango experience for the listener.