Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Quedó en venir a las nueve is a Tango written by Luis Caruso and composed by Juan Polito.
The lyrics of “Quedó en venir a las nueve” narrate the story of an individual waiting for their beloved, Elena, who promised to arrive at nine o’clock. As time ticks by, the protagonist becomes increasingly anxious and reflective, wondering about Elena’s whereabouts and the reasons for her delay. This narrative explores themes of love, expectation, and the agony of waiting.
In this tango, time is a crucial symbol that enhances the emotional depth of the narrative. The repeated mention of specific times—“Quedó en venir a las nueve,” “Y ya son las nueve y diez,” and “Y ya son más de las diez”—emphasizes the slow passage of time, highlighting the protagonist’s growing worry and impatience. Additionally, the act of waiting itself reflects a deeper yearning and dependency on the beloved’s affection, suggesting that love binds the protagonist to life itself: “Que sólo me ata a la vida / La dicha de su querer.”
Recorded in Argentina on August 7, 1945, “Quedó en venir a las nueve” unfolds in a post-World War II era, a time marked by significant upheaval and transformation. In this context, the tango might resonate with a collective sentiment of waiting and hope for better times, or the return of loved ones. The setting in a festive dance environment, likely typical of social gatherings during that era, also places personal longing within a communal space, where joy contrasts with individual anxieties and fears.
Luis Caruso was a notable figure in the tango world, celebrated for his contributions as a lyricist which often deeply resonated with the emotional experiences of ordinary people.