Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Que solo estoy is a Tango written by Roberto Miró and composed by Raúl Kaplún.
The melancholic tango “Que solo estoy” encapsulates the sorrow of abandoned love, reflecting on the emotional scarring left by a departed lover. The lyrics express a profound sense of loss, loneliness, and a life trapped within the painful residues of past seasons. The protagonist painfully recounts the process of letting go despite deep feelings, showing the intensity of his love and the void it has left.
“Que solo estoy” is rich in symbolic imagery illustrating the emotional state of the narrator. The phrase “solo… espantosamente solo” highlights the terrifying depth of the narrator’s isolation, suggesting a reality bereft of warmth and intimacy. Drinking “en la copa de la vida el sinsabor” symbolizes consuming life’s bitterness, portraying life as a cup filled with the distaste of loneliness and sorrow. The “primaveras perdidas” metaphorically represent lost youth and opportunities, times of happiness that will never return, emphasizing the irreversible impact of his emotional trauma.
Written in 1943, amid the global upheaval of World War II and the tense socio-political climate in Argentina, “Que solo estoy” perhaps mirrors the collective sentiment of loss and uncertainty prevalent at the time. Within this context, the themes of personal despair and longing for past happiness could resonate deeply with an audience coping with the broader anxieties and changes of that era, making the tango not just a story of individual heartbreak but a reflective piece on wider societal upheavals.
Roberto Miró was a significant figure in the realm of tango, known for his lyrical contributions that often explored themes of love, loss, and nostalgia.