Fabrice Knecht Tango DJ
Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Que seas muy feliz is a Tango written by Alejandro Romay and composed by Roberto Rufino.
The lyrics of “Que seas muy feliz” reflect a deeply emotional conversation between an older couple, perhaps reflecting on their lives as their children have grown and left home. In this nostalgic yet bittersweet setting, they invite each other to dance a waltz, symbolizing a return to their younger days and a rekindling of their enduring love. The repeated invitation, “Lita, bailemos este vals” (Lita, let’s dance this waltz), sets a tender, reminiscent tone, inviting both the couple and the listener into a reflective dance of memory and emotion.
The waltz in “Que seas muy feliz” is a potent symbol of nostalgia and the cyclic nature of life. Dancing, often a metaphor for life’s journey, here underscores a shared history between the couple, revealing layers of intimacy, shared experiences, and an enduring connection. The contrast between the lively, youthful dance and the quiet, empty home amplifies the emotional depth of the lyrics. Additionally, the anticipation of grandchildren is symbolic of renewal and the continuation of family legacy, offering a warm counterpoint to their current solitude.
Recorded in 1958, a period marked by significant cultural and social shifts in Argentina, “Que seas muy feliz” resonates with themes of change and nostalgia. This post-war era was a time of rapid modernization, where traditional values often clashed with new ways of life, much like the contrast in the song between the couple’s quiet, personal moment and the inevitability of change represented by their children leaving. Thus, the song subtly mirrors the societal transition, capturing a personal adaptation to broader cultural shifts.
Alejandro Romay was a significant figure in Argentine media, often referred to as “the czar of television.” His contributions span beyond music to encompass significant impacts on television and radio broadcasting.