Que no sepan las estrellas by Alfredo Faustino Roldán

Que no sepan las estrellas is a Tango written by Alfredo Faustino Roldán and composed by José Ranieri.

Story behind the Tango Que no sepan las estrellas

The lyrics of “Que no sepan las estrellas” evoke a deep sense of romantic secrecy and the hope that the love shared between two people remains undiscovered. The use of celestial bodies and the sea as central symbols creates an atmosphere of vastness and intensity, representing the obstacles and the fierce protection of their love. The speaker urges his beloved to sleep and dream, suggesting a wish to preserve the current moment from external disturbances or perhaps from reality itself.

Symbolism of Que no sepan las estrellas

The text is rich with symbolism, most notably the stars, the sea, and the night. The stars symbolize faraway observers and possible revealers of the secret love they share. The phrase “Que no sepan las estrellas” translates to “Let the stars not know,” indicating a desire to keep their love hidden from the universe. The sea is depicted as jealous and raging, attempting to separate the lovers. It symbolizes the external challenges and obstacles that couples often face. Moreover, the night acts as a guardian of their secret, enveloping them in its protective shade.

Que no sepan las estrellas in historic Context

Written and recorded in Argentina in 1945, “Que no sepan las estrellas” was created toward the end of World War II, a time marked by widespread uncertainty and disruption. The longing for a private sanctuary that the song expresses can be seen as representative of a broader cultural desire for peace and personal solace amid global chaos. The tango, a dance and music genre deeply embedded in Argentinian culture, often touches on themes of love, loss, and nostalgia, fitting well with the emotional climate of the era.

Alfredo Faustino Roldán

Alfredo Faustino Roldán was an influential figure in the world of Argentine tango, known for his evocative lyrics and passionate storytelling.