Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Que lento corre el tren is a Tango written by Carmelo Volpe and composed by Alfredo De Angelis.
“Que lento corre el tren” (How slowly the train runs) reflects an aching heart eagarly anticipating a heartfelt reunion. It vividly captures the narrator’s journey on a train to reunite with a loved one, expressing the slow passage of time weighed down by intense longing. Each train’s chug symbolises the painful crawl of seconds when distanced from someone cherished. Lines like “Qué ganas de llegar,” which translates to “how anxious to arrive,” encapsulate this mixture of impatience and excitement.
The primary symbol in this tango is the ‘train,’ representing life’s journey. Carmelo Volpe uses the train’s slow movement as a metaphor for life’s torturous moments when time seems to stand still—especially when one is away from loved ones. Here, the train’s journey parallels the emotional journey of the narrator, filled with anticipation and yearning. Phrases like “Y las horas van pasando y la ansiedad” (And the hours are passing and the anxiety) evoke the symbol of the relentless push and pull between passage of time and emotional turmoil.
The tango was recorded on May 19, 1954, when Argentina was undergoing significant transitions in social and political spheres. This context may infuse the song with a deeper sense of longing—not just for personal reunion but perhaps for social or political stability, mirrored in the narrator’s anticipation. The temporal dislocation and slow narrative pace could be conveying a collective historical experience of waiting and hoping for change.
Carmelo Volpe was an influential lyricist in the tango scene, known for his ability to weave profound emotional narratives into simple everyday scenarios.