Qué hacés qué hacés by Jesús Fernández Blanco

Qué hacés qué hacés is a Tango written by Jesús Fernández Blanco and composed by José Di Clemente.

Story behind the Tango Qué hacés qué hacés

The tango “Qué hacés qué hacés” reflects a common narrative in Argentine society about individuals who suddenly change their behavior, assuming airs of grandeur possibly due to newfound wealth or social status. The narrator directly addresses this individual, questioning their drastic change and detachment from their humble beginnings and old friends. The lyrics foster a sense of betrayal and bewilderment among those who witness this transformation from an ordinary, relatable person into someone who denies their roots and adopts a pretentious facade.

Symbolism of Qué hacés qué hacés

The song uses transformation and identity as its core symbols. The name changes from ‘Pérez Gilines’ to ‘Nito Anchorena Unzué’ signify an attempt to elevate one’s social standing or deny one’s working-class roots, a common theme in literary and cultural narratives from Argentina. Symbols like painting nails and using extravagant greetings (“gut nai”) instead of simple ones (“chao”) emphasize the pretense and falseness of the protagonist’s new lifestyle.

Qué hacés qué hacés in historic Context

Released in 1951, “Qué hacés qué hacés” emerges during a period of significant social and political change in Argentina, a time close to the rise and initial presidency of Juan Domingo Perón, who championed the working class. The tango may subtly critique those who abandon their proletarian origins for superficial bourgeoisie lifestyles, reflecting Perón’s narratives of social justice and class identity. This transition period in Argentina’s history may have influenced the song’s focus on social climbing and identity transformation.

Jesús Fernández Blanco

Jesús Fernández Blanco was an influential figure in the tango scene, known for his poignant lyrics that often delve into social and interpersonal themes.